 | 1917 - 220 pàgines
...nativeness, both of their thoughts and diction. ... In our own English compositions, (at least for the last three years of our school education,) he...Muse, Muses, and inspirations, Pegasus, Parnassus, and Hippocrene, were all an abomination to him. In fancy I can almost hear him now, exclaiming "Harp? Harp?... | |
 | Harold Tom Wilkins - 1925 - 328 pàgines
...lighter literary arts and graces, Coleridge says :— " In our own English compositions (at least for the last three years of our School education), he...muse, muses, and inspirations, Pegasus, Parnassus, and Hippocrene, were all an abomination to him. In fancy I can almost hear him now exclaiming, ' Harp ?... | |
 | Hugh I'Anson Fausset - 1926 - 366 pàgines
...the logical, he disdained alike the imaginative and the effusive, the sublime and the affected. No phrase, metaphor, or image, 'unsupported by a sound...conveyed with equal force and dignity in plainer words' could survive the thrust of his realism. 'Harp? Harp? Lyre?' he would sneer: Ten and ink, boy, you... | |
 | Samuel Taylor Coleridge - 1920 - 388 pàgines
...the peculiar fitness of the word in the original text. In our own English compositions, (at least for the last three years of our school education,) he...been conveyed with equal force and dignity in plainer words.1 Lute, harp and lyre, Muse, Muses, and inspirations, Pegasus, Parnassus, and Hippocrene were... | |
 | Samuel Taylor Coleridge - 1984 - 860 pàgines
...the peculiar fitness of the word in the original text. In our own English compositions (at least for the last three years of our school education) he showed no mercy to phrase, metaphor, " BL (1817): to the 1 The Silver Age of Latin litera- Young's essay and taken notes from ture was generally... | |
 | Jerome Christensen - 2000 - 262 pàgines
...every word." Diction fell under the purview of a hanging judge: In our own English compositions ... he showed no mercy to phrase, metaphor, or image,...muse, muses, and inspirations, Pegasus, Parnassus, and Hippocrene, were all an abomination to him. In fancy I can almost hear him now, exclaiming, "Harp?... | |
 | 152 pàgines
...the peculiar fitness of the word in the original text. In our own English Compositions (at least for the last three years of our school education) he showed...muse, muses and inspirations, Pegasus, Parnassus, and Hippocrene, were all an abomination to him. In fancy I can almost hear him now, exclaiming, "Harp?... | |
 | 376 pàgines
...the peculiar fitness of the word in the original text. In our own English compositions, (at least for the last three years of our school education,) he...been conveyed with equal force and dignity in plainer words.1 Lute, harp and lyre, Muse, Muses, and inspirations, Pegasus, Parnassus, and Hippocrene were... | |
 | Thomas Campbell, Samuel Carter Hall, Edward Bulwer Lytton Baron Lytton, Theodore Edward Hook, Thomas Hood, William Harrison Ainsworth, William Ainsworth - 1819 - 608 pàgines
...complex, and dependant on more, and more fugitive causes. In our English compositions (at least for the last three years of our school education) he showed...no mercy to phrase, metaphor, or image, unsupported uy a sound sense, or where the same sense might have been conveyed with equal force and dignity in... | |
 | Thomas Campbell, Samuel Carter Hall, Edward Bulwer Lytton Baron Lytton, Theodore Edward Hook, Thomas Hood, William Harrison Ainsworth, William Ainsworth - 1834 - 566 pàgines
...and dependent on more numerous and more fugitive causes. In our English compositions, (at least for the last three years of our sc-hool education,) he showed no mercy to phrase, image, or metaphor, unsupported by a sound sense, or where the same sense might have been conveyed... | |
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In our own English compositions, (at least for the last three years of our school education), he showed no mercy to phrase, metaphor, or image, unsupported by a sound sense, or where the same sense might have been conveyed with equal force and dignity... 
