 | Samuel Taylor Coleridge - 1840 - 582 pàgines
...complex, and dependent on more and more fugitive causes. In our English compositions (at least for nd disburthen his full soul Of all its music ! And I know a grove Of large image, or metaphor, unsupported by a sound sense, or where the same sense might have been conveyed... | |
 | Charles Knight - 1841 - 918 pàgines
...complex, and dependent upon more fugitive causes. In our English compositions (at least for the la?t three years of our school education) he showed no...plainer words. Lute, harp, and lyre —muse, muses, and inspirations—Pegasus, Parnassus, and Hippocrene, were all an abomination to him. In fancy I can almost... | |
 | James Pycroft - 1843 - 256 pàgines
...our own English compositions (at least for the last three years of our school education) he shewed no mercy to phrase, metaphor, or image, unsupported...same sense might have been conveyed with equal force or dignity in plainer words. Lute, harp, lyre, muse, muses, and inspirations, Pegasus, Parnassus, and... | |
 | William Mitchell - 1844 - 128 pàgines
...and to comparisons of one with another. In our English compositions, says Coleridge, (at least for the last three years of our school education,) he showed no mercy to phrase, image, or metaphor, unsupported by a sound sense, or where the same sense might have been conveyed... | |
 | Samuel Taylor Coleridge - 1845 - 582 pàgines
...complex, and dependent on more and more fugitive causes. In our English compositions (at least for the last three years of our school education) he showed no mercy to phrase, image, or metaphor, unsupported by a sound sense, or where the same sense might have been conveyed... | |
 | Samuel Taylor Coleridge, Henry Nelson Coleridge - 1847 - 462 pàgines
...the peculiar fitness of the word in the original text. In our own English compositions (at least for the last three years of our school education), he...plainer words." Lute, harp, and lyre, Muse, Muses, r [See the Table Talk, p. 185, Qd edit,, and Lamb's exquisite essay, Christ's Hospital five and thirty... | |
 | Samuel Taylor Coleridge - 1847 - 338 pàgines
...the peculiar fitness of the word in the original text. In our own English compositions, (at least for the last three years of our school education,) he...conveyed with equal force and dignity in plainer words. 8 Lute, harp, and lyre, Muse, Muses, and inspirations, Pegasus, Parnassus, and Hippocrene were all... | |
 | Samuel Taylor Coleridge - 1847 - 638 pàgines
...for the last three years of our school education) he showed no mercy to phrase, image, or metaphor, unsupported by a sound sense, or where the same sense...plainer words. Lute, harp, and lyre, muse, muses, and inspirations—Pegasus, Parnassus and Hippocrcne, were all an abomination to him. In fancy, I can almost... | |
 | Samuel Taylor Coleridge - 1849 - 578 pàgines
...and dependent on more and more fugitive causes. In our English compositions (at least for the lost three years of our school education) he showed no mercy to phrase, image, or meta plior, unsupported by a sound sense, or where the same sense might have been conveyed... | |
 | Charles Knight - 1851 - 902 pàgines
...subtle, more complex, and dependent upon more fugitive causes. In our English compositions (at least for the last three years of our school education) he showed...muses, and inspirations — Pegasus, Parnassus, and Hippocrene, were all an abomination to him. In fancy I can almost hear him now exclaiming, — ' Ilarp... | |
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In our own English compositions, (at least for the last three years of our school education), he showed no mercy to phrase, metaphor, or image, unsupported by a sound sense, or where the same sense might have been conveyed with equal force and dignity... 
