 | Henry Mills Alden, Frederick Lewis Allen, Lee Foster Hartman, Thomas Bucklin Wells - 1885 - 996 pàgines
...Lamb and Coleridge were taught. Of him Coleridge says: "In our own English compositions (at least for the last three years of our school education) he showed...Muse, Muses, and inspirations, Pegasus, Parnassus, and Hippocrene, were all an abomination to him. In fancy I can hear him now exclaiming: 'Harp? harp? lyre?... | |
 | Adams Sherman Hill - 1888 - 324 pàgines
...and Coleridge were taught. Of him Coleo O ridge says, " In our own English compositions (at least for the last three years of our school education), he...Muse, Muses, and inspirations, Pegasus, Parnassus, and Hippocrene, were all an abomination to him. In fancy I can almost hear him now exclaiming, ' Harp?... | |
 | Samuel Taylor Coleridge - 1891 - 484 pàgines
...tibe peculiar fitness of the word in the original text. In our own English compositions (at least for the last three years of our school education) he showed no mercy to phrase, • The Bev. James Bowyer, many years Head Master of Christ's Hospital. metaphor, or image, unsupported... | |
 | George Birkbeck Norman Hill - 1892 - 220 pàgines
...assignable not only for every word, but for the position of every word. In our own English compositions he showed no mercy to phrase, metaphor, or image unsupported...equal force and dignity in plainer words. Lute, harp, lyre, muse, muses and inspirations, Pegasus, Parnassus, and Hippocrene were all an abomination to him.... | |
 | George Birkbeck Norman Hill - 1892 - 220 pàgines
...assignable not only for every word, but for the position of every word. In our own English compositions he showed no mercy to phrase, metaphor, or image unsupported...equal force and dignity in plainer words. Lute, harp, lyre, muse, muses and inspirations, Pegasus, Parnassus, and Hippocrene were all an abomination to him.... | |
 | Edward Tompkins McLaughlin - 1893 - 288 pàgines
...the peculiar fitness of the word in the original text. In our own English compositions (at least for the last three years of our school education) he showed...muses, and inspirations ; Pegasus, Parnassus, and Hippocrene, — were all an abomination to him. In fancy, I can almost hear him now, exclaiming, "... | |
 | Edward Tompkins McLaughlin - 1893 - 284 pàgines
...the peculiar fitness of the word in the original text. In our own English compositions (at least for the last three years of our school education) he showed...muse, muses, and inspirations; Pegasus, Parnassus, and Hippocrene, — were all an abomination to him. In fancy, I can almost hear him now, exclaiming, "... | |
 | Samuel Taylor Coleridge - 1893 - 190 pàgines
...own English compositions (at least for the last three years of our school education), he showed no ro mercy to phrase, metaphor, or image, unsupported by...Muse, Muses, and inspirations; Pegasus, Parnassus, and Hippocrene were all an 15 abomination to him. In fancy I can almost hear him now, exclaiming "Harp?... | |
 | Samuel Taylor Coleridge - 1895 - 272 pàgines
...wherein consisted the peculiar fitness of the word ; In our own English compositions (at least for the last three years of our school education) he showed...muses, and inspirations, Pegasus, Parnassus, \, and Hippocrene, were all an abomination to him. In fancy,- j, I can almost hear him now, exclaiming, "... | |
 | Samuel Taylor Coleridge - 1895 - 272 pàgines
...the peculiar fitness of the word in the original text. iln our own English compositions (at least for the last three years of our school education) he showed...equal force and dignity in plainer words. Lute, harp, 5 and lyre, muse, muses, and inspirations, Pegasus, Parnassus, and Hippocrene, were all an abomination... | |
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In our own English compositions, (at least for the last three years of our school education), he showed no mercy to phrase, metaphor, or image, unsupported by a sound sense, or where the same sense might have been conveyed with equal force and dignity... 
