 | William Shakespeare - 1810 - 444 pàgines
...why an hour should not be a century in that calenture of the brains that can make the istage a field. players. They come to hear a certain number of lines recited with just gesture and elegant modulation. The lines relate to some action, and an action must be in some... | |
 | William Shakespeare - 1811 - 510 pàgines
...The truth is that the spectators are always in their senses, and know from the first Act to the last, that the stage is only a stage, and that the players...come to hear a certain number of lines recited with just gesture and elegant modulation. The lines relate to some action, and an action must be in some... | |
 | William Shakespeare - 1810 - 436 pàgines
...why an hour should not be a century in that calenture of the brains that can make the stage a field. players. They come to hear a certain number of lines recited with just gesture and elegant modulation. The lines relate to some action, and an action must be in some... | |
 | William Shakespeare - 1814 - 532 pàgines
...The truth is that the spectators are always in their senses, and know from the first act to the last, that the stage is only a stage, and that the (players are only players. They coine to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | Francis Wrangham - 1816 - 624 pàgines
...truth is, that the spectators are always in their senses, and know from the first act to the last, that the stage is only a stage, and that the players...come to hear a certain number of lines recited with just gesture, and elegant modulation. The lines relate to some action, and an action must be in some... | |
 | Francis Wrangham - 1816 - 616 pàgines
...truth is, that the spectators are always in their senses, and know from the first act to the last, that the stage is only a stage, and that the players...come to hear a certain number of lines recited with just gesture, and elegant modulation. The lines relate to some action, and an action must be in some... | |
 | Elegant extracts - 1816 - 1082 pàgines
...truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | Samuel Johnson - 1816 - 492 pàgines
...truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture'and elegant . ii. H nlodulation. The... | |
 | Samuel Johnson - 1816 - 514 pàgines
...truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant . n. ii modulation. The... | |
 | Samuel Johnson - 1818 - 420 pàgines
...truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only playerg. They came to hear a certain number of lines recited with just gesture and elegant modulation.... | |
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The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. 
