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" And thus still doing, thus he pass'd along. Duch. Alas ! poor Richard ! where rides he the while ? York. As in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious... "
The Student: Or, The Oxford and Cambridge Monthly Miscellany - Pągina 366
editat per - 1751
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A course of lectures on dramatic art and literature tr. [from Ueber ..., Volum 2

August Wilhelm von Schlegel - 1840 - 434 pągines
...deserving of attention : — As in a theatre the eyes of men, After a well-grac'd actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious, &c. himself, we can discover the resemblance of his style and traces of his art, still it will always...
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The plays and poems of Shakespeare, according to the improved text ..., Volum 6

William Shakespeare - 1842 - 396 pągines
...he the while ? York. As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him;...
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The Object of Literary Criticism

Richard Shusterman - 1984 - 248 pągines
...pity, if you can — As in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious: Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him No...
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The Works of John Dryden, Volume XIII: Plays: All for Love, Oedipus, Troilus ...

John Dryden - 1985 - 672 pągines
...from pitty if you can. As in a Theatre, the eyes of men After a well-grac'd Actor leaves the Stage, 20 Are idly bent on him that enters next, Thinking his prattle to be tedious: Even so, or with much more contempt, mens eyes Did scowl on Richard: no man cry'd God save him: No...
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Stages of History: Shakespeare's English Chronicles

Phyllis Rackin - 1990 - 276 pągines
...theatrical mediation: As in a theatre the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious, Even so, or with much more contempt, men's eyes Did scowl on gentle Richard. No man cried "God save...
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Theater Enough: American Culture and the Metaphor of the World Stage, 1607-1789

Jeffrey H. Richards, Professor of Theatre Jeffrey H Richards - 1991 - 368 pągines
...Bolingbroke into London: As in a theatre, the eyes of men, After a well-grac'd actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious; Even so, or with much more contempt, men's eyes Did scowl on gentle Richard. (5.2.23-28) Left to himself...
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The Columbia Granger's Dictionary of Poetry Quotations

Edith P. Hazen - 1992 - 1172 pągines
...your face. (IV, i) 92 As in a theater the eyes of men. After a well-graced actor leaves the stage, (V, ii) 93 How sour sweet music is, When time is broke and no proportion kept! So is it in the music...
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Shakespeare the Actor and the Purposes of Playing

Meredith Anne Skura - 1993 - 348 pągines
...and charismatic actors: As in a theater the eyes of men, After a well-grac'd actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious; Even so, or with much more contempt, men's eyes Did scowl on Richard. (R2 5.2.23-28)* As the play unfolds...
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Four Histories

William Shakespeare - 1994 - 884 pągines
...rode he the whilst? YORK As in a theatre the eyes of men, After a well graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious: Even so, or with much more contempt, men's eyes Did scowl on gentle Richard. No man cried 'God save...
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William Shakespeare's Richard II

Michael Morrison - 1996 - 138 pągines
...the assembled crowd: "As in a theatre the eyes of men,/ After a well-graced actor leaves the stage,/ Are idly bent on him that enters next,/ Thinking his prattle to be tedious;/ Even so, or with much more contempt, men's eyes/ Did scowl on gentle Richard" (23-28). When York discovers...
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