He scarce had ceased, when the superior fiend Was moving toward the shore ; his ponderous shield, Ethereal temper, massy, large, and round, Behind him cast ; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the... The British Essayists;: Spectator - Pàgina 237per Alexander Chalmers - 1808Visualització completa - Sobre aquest llibre
| Leigh Hunt - 1845 - 278 pàgines
...Fiend Was moving toward the shore, his ponderous shield Behind him cast; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views At evening from the top of Fesole Or in Valdarno, to descry new lands, Rivers or mountains... | |
| Louis Lohr Martz - 1986 - 388 pàgines
...book 1 comparing Satan's shield to the moon: whose Orb Through Optic Glass the Tuscan Artist views At Ev'ning from the top of Fesole, Or in Valdarno, to descry new Lands, Rivers or Mountains in her spotty Globe. [1.287-91] This has sometimes been taken as a premonition of man's search for... | |
| Leonard Barkan - 1991 - 188 pàgines
...ponderous shield, Ethereal temper, massy, large, and round, Behind him cast; the broad circumference Hung on his shoulders like the Moon, whose Orb Through Optic Glass the Tuscan Artist views At Ev'ning, from the top of f'eso/e, Or in Valdarno, to descry new Lands, Rivers or Mountains,... | |
| A. B. Chambers - 2010 - 221 pàgines
...ponderous shield Ethereal temper, massy, large and round. Behind him cast; the broad circumference Hung on his shoulders like the Moon, whose Orb Through Optic Glass the Tuscan Artist views. (1.284-88) The second was to look at Satan himself vis-a-vis the Sun: There lands the... | |
| Israel Gollancz - 1921 - 364 pàgines
...Lost,' I. 287-90: — ' The moon, whose orb Through optic glass the Tuscan artist views At evening, from the top of Fesole, Or in Valdarno, to descry new lands." 1071. Perhaps the poet wrote '& also ]w-as nis neuernyjt,' ie 'And also where is never night, why should... | |
| Valeria Finucci, Regina Schwartz - 1994 - 281 pàgines
...ponderous shield Ethereal temper, massy, large and round, Behind him cast; the broad circumference Hung on his shoulders like the Moon, whose Orb Through Optic Glass the Tuscan artist views At Fv'ning from the lop of Fesole, Or in Valdarno, to descry new Lands, Rivers or Mountains... | |
| Ann Stewart Balakier, James J. Balakier - 1995 - 208 pàgines
...describes in Paradise Lost as "the Tuscan artist" who views the moon through his "glaz'd Optic tube" "at Ev'ning from the top of Fesole,/ Or in Valdarno, to descry new Lands/ Rivers or Mountains in her spotty Globe" (I. 287-91). Milton's spokesperson, the angel Raphael, though, is non-committal... | |
| Norman Klassen - 1995 - 242 pàgines
...sight conveys a tension, in no way limited to theology alone, between love and knowledge. At evening, from the top of Fesole, Or in Valdarno, to descry new lands, Rivers, or mountains, in her spotty globe. John Milton, Paradise Lost, in John Milton, ed. Stephen Orgel and Jonathan Goldberg,... | |
| Paul H. Fry - 1995 - 276 pàgines
...the star that resembles his own shield, "whose Orb / Through Optic Glass the Tuscan Artist views / At Ev'ning from the top of Fesole, / Or in Valdarno, to descry new lands."39 Because Galileo challenged orthodox cosmology Milton conceives him in the passage just quoted... | |
| William Riley Parker - 1996 - 708 pàgines
...seventy-five stirring years, but never again through his marvellous telescope view the moon At evening from the top of Fesole, Or in Valdarno, to descry new lands, Rivers or mountains in her spotty globe." In the invigorating sunshine of Italian culture there were ugly shadows. Excepting... | |
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