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" He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily: when he describes anything, you more than see... "
The Plays of William Shakespeare: With Notes of Various Commentators - Pàgina cviii
per William Shakespeare - 1806
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A Compendium of English Literature: Chronologically Arranged, from Sir John ...

Charles Dexter Cleveland - 1859 - 780 pàgines
...extensive in its comprehension and so curious in its SHAKSPEARE. To begin, then, with Shakspeare. He was the man, who, of all modern, and perhaps ancient poets, had the largest and mcst comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously,...
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The Prose and Prose Writers of Britain from Chaucer to Ruskin: With ...

Robert Demaus - 1860 - 580 pàgines
...and nothing lost out of nature, though everything is altered. 3. SHAKSPERE AND BEN JONSON. Shakspere was the man who, of all modern, and perhaps ancient...them not laboriously, but luckily. When he describes anything, you more than see it — you feel it too. Those who accuse him to have wanted learning give...
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The Concise Columbia Dictionary of Quotations

Robert Andrews - 1989 - 414 pàgines
...poet, author He was not of an age, but for all time! Ben Jonson (1573-1637) English dramatist, poet He was the man who, of all modern, and perhaps ancient...poets, had the largest and most comprehensive soul. John Dryden (1631-1700) English poet, dramatist A quibble is to Shakespeare what luminous vapours are...
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Studies in Shakespeare, Bibliography, and Theatre

James G. McManaway - 1990 - 442 pàgines
...sums up die situation neatly in his Of Dramatic Poesy, An Essay: To begin, then, with Shakespeare: he was the man who of all modern, and perhaps ancient...them not laboriously, but luckily: when he describes anything, you more than see it, you feel it too. Those who accuse him to have wanted learning, give...
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The Re-imagined Text: Shakespeare, Adaptation, & Eighteenth-century Literary ...

Jean I. Marsden - 1995 - 214 pàgines
...English Poetry" (II, 4), while Dryden, in the encomium in the Essay of Dramatic Poesy, commends him as "the man who of all modern, and perhaps ancient poets had the largest and most comprehensive soul" — "soul" being the seat of inspiration and thus of poetic greatness. Such eulogizing presents Shakespeare...
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Textual Practice 10.3, Volum 10,Edició 3

Alan Sinfield - 1996 - 172 pàgines
...the regulatory and formulaic Corneille and other French writers: To begin then with Shakespeare. He was the man who, of all modern and perhaps ancient...him, and he drew them not laboriously, but luckily. . . . Those who accuse him to have wanted learning give him the greater commendation. He was naturally...
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George Frideric Handel

Paul Henry Lang - 1996 - 794 pàgines
...What Dryden, in his Essay on Dramatic Poesy, said concerning Shakespeare applies equally to Handel: "All the images of nature were still present to him,...them, not laboriously but luckily: when he describes anything, you more than see it, you feel it too." Yet while Handel describes a landscape or a bucolic...
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Studying British Cultures: An Introduction

Susan Bassnett - 1997 - 234 pàgines
...acknowledgement of a Shakespearean archetype. We are in some sense back with Dryden's claim that Shakespeare: 'was the man who of all Modern, and perhaps Ancient...comprehensive soul. All the Images of Nature were present to him, and he drew them not laboriously, but luckily'." I will now turn to another species...
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Samuel Johnson

Lawrence Lipking - 2009 - 396 pàgines
...the mind and its powers inspires almost all his praise. Like Dryden, whose tribute to Shakespeare as "the man, who, of all modern and perhaps ancient poets, had the largest and most comprehensive soul" is saved for the end of the "Preface," he especially values how much that mind could take in.64 Others...
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Studies in Criticism and Aest

Howard Anderson - 1967 - 429 pàgines
...proportion in the name of the disegno interno, the inward drawing, or idea. 36 ) Shakespeare, says Dryden, was "the man who of all modern, and perhaps ancient...him, and he drew them, not laboriously, but luckily " 37 The distinction between luck and labor, made by Dryden in favor of luck and Shakespeare, exploited...
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