 | Harry Pauley - 2000 - 460 pągines
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 | Christopher Pye, Class of 1924 Professor of English at Williams College Christopher Pye - 2000 - 199 pągines
...touchstone for critics who have understood subjectivity as an effect of cultural and material inscription: Be not afeard, the isle is full of noises, Sounds,...twangling instruments Will hum about mine ears; and sometime voices, That if I then had wak'd after long sleep, Will make me sleep again, and then in dreaming,... | |
 | John Xiros Cooper - 2000 - 352 pągines
...Tempest island, so music transforms this garden into a place of enchantment. In Caliban's words, ... the isle is full of noises Sounds and sweet airs,...instruments Will hum about mine ears; and sometimes voices (III, ii, 132-35) Shakespeare's sweet and delightful music is the avatar of Prospero's "charms." In... | |
 | Leo Marx - 2000 - 414 pągines
...forces of disorder. Even Caliban, as readers often note, responds to the melodious atmosphere: . . . the isle is full of noises, Sounds and sweet airs,...instruments Will hum about mine ears; and sometimes voices . . . Caliban's bestiality, the equivalent within human nature of the untamed elements without, is... | |
 | Carla Locatelli - 2000 - 373 pągines
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 | 1988
[ El contingut d’aquesta pągina estą restringit ] | |
 | Elise Kuhl Kirk - 2001 - 459 pągines
...it in many of her concerts:"Be not afeared," it begins in both Shakespeare's and Hoiby 's versions: the isle is full of noises, Sounds and sweet airs,...then had wak'd after long sleep, Will make me sleep again.-8 The Tempest has piqued the imagination of poets from Milton toT. S. Eliot and WH Auden as... | |
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