 A happy ending! — as if the living martyrdom that Lear had gone through, — the flaying of his feelings alive, did not make a fair dismissal from the stage of life the only decorous thing for him. If he is to live and be happy after, if he could sustain...  Charles Lamb - Pàgina 181per Alfred Ainger - 1882 - 186 pàginesVisualització completa - Sobre aquest llibre
 | Charles Lamb - 1888 - 442 pàgines
...getting his gilt robes and sceptre again could tempt him to act over again his misused station,—as if at his years, and with his experience, anything was left but to die. stage. But how many dramatic personages are there in Shakspere, which though more tractable and feasible... | |
 | William Hazlitt - 1889 - 586 pàgines
...the nostrils of this Leviathan, for Garrick and his followers, the showmen of the scene, to draw it about more easily. A happy ending ! — as if the...with his experience, anything was left but to die." C , < FALSTAFP. IF Shakspearo's fondness for the ludicrous sometimes led to faults in his tragedies... | |
 | George A. Smith - 1889 - 528 pàgines
...modern critic, in allusion to this, exclaims : 'a happy ending ! as if the living martyrdom that he had gone through, the flaying of his feelings alive,...with his experience, anything was left but to die.' Tate also cut out of his adaptation of Shakespeare's tragedy the character of the Fool, which was much... | |
 | William Shakespeare - 1889 - 284 pàgines
...if the living martyrdom that Lear had gone through, — the flaying of his feelings alive, — tfid not make a fair dismissal from the stage of life the...with his experience, anything was left but to die.' " * * Cf. pp. 30, 34, and 39 above. For a fuller account of Tale's version, see F. pp. 467-478. OLD... | |
 | George A. Smith - 1889 - 556 pàgines
...stage of life the only decorous thing ior Ыm. If he is to live and be happy after, if he could sustaiu this world's burden after, why all this pudder and...with his experience, anything was left but to die. ' Tate also cut out of his adaptation of Shakespeare's tragedy the character of the Fool, which was... | |
 | George A. Smith - 1890 - 458 pàgines
...dismissal from the stage of life the only decorous thing for him. If he is to live and be happy alter, if he could sustain this world's burden after, why...with his experience, anything was left but to die. ' Tate also cut out of his adaptation of Shakespeare's tragedy the character of the Fool, which was... | |
 | Charles Lamb - 1891 - 282 pàgines
..._Tate has put his hook in the nostrils of this Leviathan, for Garrick and his followers, the showmen of scene, to draw the mighty beast about more easily....with his experience, anything was left but to die ! ' Lear ' is essentially impossible to be represented on a stage. But how many dramatic personages... | |
 | Charles Lamb - 1891 - 282 pàgines
...his followers, the showmen of scene, to draw the mighty beast about more easily. A happy ending 1 — as if the living martyrdom that Lear had gone through,...with his experience, anything was left but to die ! ' Lear ' is essentially impossible to be represented"6ti a stage. But how many dramatic per,'sohages... | |
 | Edward Tompkins McLaughlin - 1893 - 284 pàgines
...Lear — we are in his mind, we are sustained by a grandeur which baffles the malice of daughters and storms ; in the aberrations of his reason we discover...with his experience, anything was left but to die. From the Essays of Elia : on Some of the Old Actors. Malvolio is not essentially ludicrous. He becomes... | |
 | Edward Tompkins McLaughlin - 1893 - 286 pàgines
...Lear — we are in his mind, we are sustained by a grandeur which baffles the malice of daughters and storms ; in the aberrations of his reason we discover...with his experience, anything was left but to die. From the Essays of Elia : on Some of the Old Actors. Malvolio is not essentially ludicrous. He becomes... | |
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