 | Robert Weimann - 2000 - 324 pàgines
...of this speech, the speaker's awareness of play and the reference to the (First) Player looms large. What would he do Had he the motive and [the cue] for passion That I have? He would drown the stage with tears, And cleave the general ear with horrid speech... | |
 | Lawrence Danson - 2000 - 172 pàgines
...which passes show, as he watches the professional actor stage his grief for the fictitious Hecuba: 'What would he do | Had he the motive and the cue for passion | That I have?' (2. 2. 562-4) Hieronimo finally discovers the means for revenge by staging... | |
 | Lawrence Schoen - 2001 - 240 pàgines
...his conceit? And all for nothing! For Hecuba? What's Hecuba to him or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? He would drown the state with tears, And cleave the general ear with horrid speech;... | |
 | William Shakespeare - 2001 - 212 pàgines
...to his conceit? And all for nothing, For Hecuba! What's Hecuba to him, or he to her, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears 500 And cleave the general ear with horrid... | |
 | William Shakespeare - 1995 - 340 pàgines
...s'adattava con le forme alla sua idea? For Hecubal What's Hecuba to him, or he to her, That he should weep for her ? What would he do Had he the motive and the cue for passion That I have ? He would drown the stage with tears And cleave the general ear with horrid speech,... | |
 | Patrick Tucker - 2002 - 316 pàgines
...conceit? And all for nothing! For Hecuha! Whar's Hecuha to him, or he to her, That he should weep for het? What would he do Had he the motive and the cue for passion That I have? He would dtown the stage with rears, And cleave the genetal ear with hotrid speech,... | |
 | Kenneth Muir - 2002 - 208 pàgines
...seriousness of Clement McCallin's First Player charged and challenged Hamlet's spiritual resources: What would he do Had he the motive and the cue for passion That I have? (и, ii, 594-6) In coupling 'motive' and 'cue' Shakespeare is approaching the... | |
 | K. H. Anthol - 2003 - 344 pàgines
...conceit? And all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, 585 That he should weep for her? What would he do, had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech,... | |
 | John J. Joughin, Simon Malpas - 2003 - 254 pàgines
...to stage 'The Mousetrap', cf. II. ii. 584-601): What's Hecuba to him, or he to her, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? (II. ii. 553-6) In some ways Hamlet's 'own' mistaken sense here of not 'measuring... | |
 | Hardin L. Aasand - 2003 - 242 pàgines
...Hamlet advocated an intemperate mode of acting out passion at odds with his instructions to the players: What would he do / Had he the motive and [the cue] for passion That I have? He would drown the stage in with tears And cleave the general ear with horrid... | |
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What's Hecuba to him, or he to Hecuba, That he should weep for her/ What would he do, Had he the motive and the cue for passion That I have... 
