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" NAY, but this dotage of our general's O'erflows the measure : those his goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn, The office and devotion of their view Upon a tawny front... "
The works of Shakespear, with a glossary, pr. from the Oxford ed. in quarto ... - Pàgina 245
per William Shakespeare - 1747
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As You Like It (MAXNotes Literature Guides)

Michael Morrison - 2013 - 120 pàgines
...career and is now focused on Cleopatra: ...those goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn The...and devotion of their view Upon a tawny front.... (I, i, 11. 2-6) Whereas Shakespeare sometimes heaps detail upon detail, his sentences are often elliptical,...
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William Shakespeare's The Taming of the Shrew

Christopher Garcez - 1996 - 120 pàgines
...career, and is now focused on Cleopatra: ...those goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn The...and devotion of their view Upon a tawny front.... (I, i, ll. 2-6) Whereas Shakespeare sometimes heaps detail upon detail, his sentences are often elliptical,...
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Antony and Cleopatra (MAXNotes Literature Guides)

John Foss - 2013 - 128 pàgines
...career, and is now focused on Cleopatra: ...those goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn The...and devotion of their view Upon a tawny front.... (I, i, 11. 2-6} Whereas Shakespeare sometimes heaps detail upon detail, his sentences are often elliptical,...
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William Shakespeare's Othello

Michael A. Modugno - 1996 - 108 pàgines
...career and is now focused on Cleopatra: ...those goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn The...and devotion of their view Upon a tawny front.... (I, i, 11. 2-6) Whereas Shakespeare sometimes heaps detail upon detail, his sentences are often elliptical,...
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William Shakespeare's Richard II

Michael Morrison - 1996 - 138 pàgines
...career and is now focused on Cleopatra: ...those goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn The...and devotion of their view Upon a tawny front.... (I, i, ll. 2-6) Whereas Shakespeare sometimes heaps detail upon detail, his sentences are often elliptical,...
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Twelfth Night (MAXNotes Literature Guides)

Frederic Kolman - 2013 - 122 pàgines
...career, and is now focused on Cleopatra: ...those goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn The...and devotion of their view Upon a tawny front.... (I, i, 11. 2-6) Whereas Shakespeare sometimes heaps detail upon detail, his sentences are often elliptical,...
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Much Ado About Nothing (MAXNotes Literature Guides)

Louva Irvine - 2013 - 126 pàgines
...career and is now focused on Cleopatra: ...those goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn The...and devotion of their view Upon a tawny front.... (I, i, ll. 2-6) Whereas Shakespeare sometimes heaps detail upon detail, his sentences are often elliptical,...
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Not Out Of Africa: How ""Afrocentrism"" Became An Excuse To Teach Myth As ...

Mary Lefkowitz - 2008 - 321 pàgines
...degenerated because of his love for Cleopatra, whom he compares to a gypsy woman: Antony's eyes that once "glow'd like plated Mars, now bend, now turn / The...and devotion of their view / Upon a tawny front," that is, a dark face; Antony's "captain's heart ... is become the bellows and the fan / To cool a gipsy's...
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The Guide to Literary Terms

Gail Rae - 1998 - 124 pàgines
...and is now focused on Cleopatra: . . . those goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn The...office and devotion of their view Upon a tawny front .... Act I, scene i: lines 2-6 Whereas Shakespeare sometimes heaps detail upon detail, his sentences...
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A Season of Opera: From Orpheus to Ariadne

M. Owen Lee - 1998 - 258 pàgines
...only for his black Aida is uncannily there in Shakespeare's opening lines - a 'plated Mars' whose eyes 'now bend, now turn / The office and devotion of their view / Upon a tawny front.' And in Verdi's opening 'Celeste Aida' we hear Shakespeare's 'scuffles of great fights' and 'the buckles...
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