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" A poet is the most unpoetical of anything in existence, because he has no identity : he is continually in for, and filling, some other body. The sun, the moon, the sea, and men and women who are creatures of impulse, are poetical, and have about them... "
Der Sensualismus bei John Keats - Pągina 27
per Sibylla Geest - 1908 - 70 pągines
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Jahrhundertwende: Studien zur Literatur der Moderne

Gotthart Wunberg - 2001 - 371 pągines
...zitiert ihn übrigens, der Brief mit den merkwürdigen Klagen über das Chamäleondasein des Dichters (>he has no identity: he is continually in for, and filling, some other body. - It is a wretched thing to confess, but it is a very fact, that not one word I ever utter can be taken...
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Selected Letters

John Keats - 2002 - 435 pągines
...for the bright one; because they both end in speculation. A Poet is the most unpoetical of any thing in existence; because he has no Identity — he is...The Sun, the Moon, the Sea and Men and Women who are creatures of impulse are poetical and have about them an unchangeable attribute — the poet has none;...
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Emerson and Self-reliance

George Kateb - 2002 - 221 pągines
...spirited way, and thus throws light on Emerson's meaning: A poet is the most unpoetical of any thing in existence; because he has no Identity — he is...The Sun, the Moon, the Sea and Men and Women who are creatures of impulse are poetical and have about them an unchangeable attribute — the poet has none;...
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The Complete Works of W. H. Auden: Prose. 1939-1948

Wystan Hugh Auden - 1996 - 556 pągines
...exists in minute particulars; General Good is the plea of the hypocrite and the scoundrel. (Blake) (c) A poet is the most unpoetical of anything in existence, because he has no identity. (Keats) (d) It is much easer to study and enjoy Nature than Art. (Goedie) (e) Life has no direct sense...
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Slavery and the Romantic Imagination

Debbie Lee - 2017 - 312 pągines
...Richard Woodhouse claiming "What shocks the virtuous philosop[h]er, delights the camelion Poet . . . because he has no Identity— he is continually in for — and filling some other Body" (KL, 1:387). By connecting himself as poet to the chameleon — an animal identified by early-nineteenthcentury...
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A Routledge Literary Sourcebook on the Poems of John Keats

John R. Strachan - 2003 - 198 pągines
...for the bright one; because they both end in speculation. A poet is the most unpoetical of any thing in existence; because he has no Identity — he is...The Sun, the Moon, the Sea and Men and Women who are creatures of impulse are poetical and have about them an unchangeable attribute — the poet has none;...
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The Lie that Tells a Truth: A Guide to Writing Fiction

John Dufresne - 2003 - 298 pągines
......" We may substitute writer for poet and continue with Keats's remark: "... because he [the writer] has no Identity — he is continually in for — and filling some other Body." I write many drafts longhand. (I suppose I write longhand because that's how I learned to write, and...
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"Mein Leben zu erleben wie ein Buch": Hermeneutik des Erinnerns bei Hugo von ...

Heike Grundmann - 2003 - 335 pągines
...Poet is the most unpoetical of any thing in existence; because he has no Identity - he is condnually in for - and filling some other Body - The Sun, the Moon, the Sea [...]." '' Die Arbeit an diesem Vertrag geht zumindest bis 1905 zurück, wie aus einem Brief an Bei...
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Bartleby & Co

Enrique Vila-Matas - 2004 - 178 pągines
...[. . .] What shocks the virtuous philosopher delights the chameleon poet." And that is precisely why "a poet is the most unpoetical of anything in existence,...continually in for and filling some other body." "The Sun," he continues telling his friend, "the Moon, the Sea, and men and women, who are creatures of impulse,...
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Zeichnung im Dienste der Literaturvermittlung: Moritz Retzschs ...

Viola Hildebrand-Schat - 2004 - 464 pągines
...virtuous philosopher, delights the camelion Poet. (...) A Poet is the most unpoetical of any thing in existence; because he has no Identity - he is continually...filling some other Body - The Sun, the Moon, the Sea [...]." 50 Die Arbeit an diesem Vortrag geht zumindest bis 1905 zurück, wie aus einem Brief an Bei...
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