 | M. Thomas Hester, Christopher Cobb - 2003 - 152 pągines
...Tristia 1.2, also anticipates Othello's portentous lamentation in 3.3.90-3: "Perdition catch my soul / But I do love thee; and when I love thee not, / Chaos is come again." In these words, as in the simile that will follow, Shakespeare, according to the most literal associations... | |
 | Andrew Hadfield - 2003 - 180 pągines
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 | Piotr Sadowski - 2003 - 327 pągines
...wife even before lago's unfolds fully his insinuations: "Excellent wretch! Perdition catch my soul / But I do love thee! and when I love thee not / Chaos is come again" (3.3.90-92). lago strikes while the iron is hot by continuing his suggestions about Cassio and Desdemona,... | |
 | 1984
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 | Paul Andre Harris, Michael Crawford - 2004 - 261 pągines
...and murders Desdemona; thus, the central text of that play: Excellent wretch! Perdition catch my soul But I do love thee! And when I love thee not Chaos is come again (III.iii.90-93) This idea appears again in Shakespeare's long poem, Venus and Adonis (1019-1020) which... | |
 | Arthur F. Kinney - 2004 - 168 pągines
...vulnerability to the ensign: "Excellent wretch!" he remarks of Desdemona; "Perdition catch my soul But I do love thee, and when I love thee not, Chaos is come again" (3.3.91-93). The resonance is telling; and in the web of Othello's language, we can see in this transfer... | |
 | Paula Harms Payne - 2004 - 159 pągines
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Excellent wretch ! Perdition catch my soul, But I do love thee ! and when I love thee not Chaos is come again. 
