I ask not for the great, the remote, the romantic i what is doing in Italy or Arabia; what is Greek art, or Provencal minstrelsy; I embrace the common, I explore and sit at the feet of the familiar, the low. NATURE, ADDRESSES, AND LECTURES - Pàgina 92per RALPH WALDO EMERSON - 1883Visualització completa - Sobre aquest llibre
| Ralph Waldo Emerson - 1926 - 412 pàgines
...of warm life run into the hands and the feet. I ask not for the great, the remote, the romantic ; , what is doing in Italy or Arabia ; what is Greek art, or Provengal minstrelsy ; I embrace the common, I explore and sit at the feet of the familiar, the low.... | |
| Robert Malcolm Gay - 1928 - 276 pàgines
...that to the soul there is no great and small, no high and low. "I embrace the common, I explore it and sit at the feet of the familiar, the low. Give...to-day, and you may have the antique and future worlds." In "The Sphinx" he declares that "The fiend that man harries Is love of the Best;" and here he says... | |
| Allen W. Ellis - 1992 - 164 pàgines
...currents of warm life run into the hands and the feet. I ask not for the great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art,...into today, and you may have the antique and future worlds.10 Proponents of popular culture argue that true insight into any era of culture can be gained... | |
| Cornel West - 1993 - 352 pàgines
...so-called folk art boldly exclaims with Emerson, I ask not for the great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art,...feet of the familiar, the low. Give me insight into day and you may have the antique and future worlds.1 This artistic affirmation of everyday experiences... | |
| Ralph Waldo Emerson - 1995 - 304 pàgines
...experience, so much of the wilderness have I vanquished and planted. . . ." "Life is my dictionary." "Give me insight into to-day, and you may have the antique and future worlds. ..." These and many other such familiar epigrams are eloquent expressions of the practical idealism... | |
| David E. Shi - 1996 - 410 pàgines
...and he enthusiastically sanctioned their efforts: "I ask not for the great, remote, the romantic ... I embrace the common, I explore and sit at the feet of the familiar, the low." This romantic celebration of the actualities of common life, however tentative, vicarious, or celestial,... | |
| Cary D. Wintz - 1996 - 522 pàgines
...if he seek a temporary peace by the diversion of his thoughts from politics or vexed questions ... I embrace the common, I explore and sit at the feet of the familiar, the low . . . the literature of the poor, the feelings of the child, the philosophy of the street, the meaning... | |
| James Peter Burkholder - 1996 - 470 pàgines
...currents of warm life run into the hands and the feet. I ask not for the great, the remote, the romantic; what is doing in Italy or Arabia; what is Greek art, or Provençal minstrelsy; I embrace the common, I explore and sit at the feet of the familiar, the low.... | |
| Anita Haya Patterson - 1997 - 268 pàgines
...gesture is one that strategically claims the ordinary domestic world as the fit domain of the poetic: I embrace the common, I explore and sit at the feet of the familiar, the low. Give me insight to-day, and you may have antique and future worlds. What would we really know the meaning of? The meal... | |
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