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" Thou foster-child of Silence and slow Time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fringed legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men... "
Der Sensualismus bei John Keats - Pàgina 68
per Sibylla Geest - 1908 - 70 pàgines
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Deconstruction: Critical Concepts in Literary and Cultural Studies, Volum 2

Jonathan D. Culler - 2003 - 424 pàgines
...Both possibilities are readable in the scenes depicted on the urn: What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? The privileged aesthetic moment is a freeze-frame just prior to ravishment.4 But how does pressing...
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Close Reading: The Reader

Frank Lentricchia, Andrew DuBois - 2003 - 412 pàgines
...Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Even the last quick outcries retain somewhat the quality of the periodic structure with which the stanza...
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A Routledge Literary Sourcebook on the Poems of John Keats

John R. Strachan - 2003 - 218 pàgines
...deities or mortals, or of both, In Tempe26 or the dales of Arcady?27 What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels?28 What wild ecstasy?29 10 2 Heard melodies are sweet, but those unheard Are sweeter; therefore,...
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Philosophical Conceptualization and Literary Art: Inference, Ereignis, and ...

Phillip Stambovsky - 2004 - 240 pàgines
...Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy?27 The urn is a presence in sharp outline for the Keatsian speaker: a classical objet d'art....
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Why We Love: The Nature and Chemistry of Romantic Love

Helen Fisher - 2004 - 324 pàgines
...breaks a forthcoming date or calls you by another's name — and you plunge into despondency again. "What mad pursuit? What struggle to escape? / What pipes and timbrels / What wild ecstasy?" John Keats clearly knew that romantic • 24 • love is a tumult of wildly different motivations and...
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Sincerity’s Shadow

Deborah Forbes - 2004 - 260 pàgines
...mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loath? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy?76 These questions, which provide the reader with some details of the urn's decoration while...
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The Poetry Handbook

John Lennard - 2006 - 448 pàgines
...deities or mortals, or of both, In Tempe or the dales of Arcady ? What men or gods are these ? What maidens loth ? What mad pursuit ? What struggle to...escape ? What pipes and timbrels ? What wild ecstasy ? The abab-cde-dce rhyme-scheme is exactly reflected in the eisthesis, ciano c-lines unindented, b-...
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Poemas y poetas clásicos ingleses. De Geoffrey Chaucer a Dylan Thomas ...

2005 - 334 pàgines
...Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? what maidens loth? What mad pursuit? what struggle to escape? What pipes and timbrels? what wild ecstasy? II Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not...
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Keats and Hellenism: An Essay

Martin Aske - 2005 - 212 pàgines
...Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? (5-'°) Even as perfectly symmetrical a whole as the urn cannot, it seems, prevent a two-fold parergonal...
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Seeing Through the Eye: Malcolm Muggeridge on Faith

Malcolm Muggeridge - 2005 - 276 pàgines
...distinct view a macabre version of Keats 's Grecian Urn: What men or gods are these? What maidens loath? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Nearer at hand, the impression was more in the vein of Evelyn Waugh's The Loved One. At Forest Lawn,...
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