 | Samuel Johnson - 1824 - 460 pàgines
...players. They came to hear a certain number of lines recited with just gesture and elegant VOI^. II. H modulation. The lines relate to some action, and an...different actions that complete a story may be in places veiy remote from each other ; and where is the absurdity of allowing that space to represent first... | |
 | Vicesimus Knox - 1824 - 794 pàgines
...brain that can make the stage a field. The truth is, that the spectators are always in their senses, % =]: : 9 came to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | Samuel Johnson - 1825 - 476 pàgines
...brains that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...complete a story may be in places very remote from each oiher ; and where is the absurdity of allowing that space to represent first Athens, and then Sicily,... | |
 | George Walker - 1825 - 668 pàgines
...brains that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...action, and an action must be in some place : but the differest actions that complete a story may be in places very remote from each other; and where is... | |
 | Samuel Johnson - 1825 - 500 pàgines
...brains that can make the stage a field. The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the...action, and an action must be in some place ; but "tie different actions that complete a story may be in places very remote from each other ; and where... | |
 | William Shakespeare - 1825 - 1010 pàgines
...brains that can make the stage a field. The truth is, that the spectators are always in their senses, h is. A good and virtuous nature may recoil, In an...That which you are, my thoughts cannot transpose : thedifferent actions that complete a story may be in places very remote from each other : and where... | |
 | Samuel Johnson - 1825 - 750 pàgines
...first act to the last, that the stage is only a stage, and that the players are only players. They came to hear a certain number of lines recited with just gesture and elegant modulation. The linee relate to some action, and an action must be in some place ; but the different action« that... | |
 | Earl Philip Henry Stanhope Stanhope - 1838 - 520 pàgines
...the first. " The spectators," says Johnson, " are always in their senses, " and know from first to last that the stage is only " a stage, and that the players are only players." • " Our thoughtless sex is caught by outward form, " And empty noise, and loves itself in man." "... | |
 | 1837 - 336 pàgines
...brain that can make the stage a field. " The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, that the players are only players. They come to hear a certain number of lines recited with just gesture... | |
 | 1837 - 348 pàgines
...brain that can make the stage a field. " The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, that the players are only players. They come to hear a certain number of lines recited with just gesture... | |
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The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. 
