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" peasant slave am I ! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wann'd ; Tears in his eyes, distraction in 's aspect, A broken voice,... "
The plays of William Shakspeare, pr. from the text of the corrected copies ... - Pągina 314
per William Shakespeare - 1823
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Rhetoric and Renaissance Culture

Heinrich F. Plett - 2004 - 600 pągines
...After the rehearsal has taken place, Hamlet explains why the first player's performance was so perfect: Is it not monstrous that this player here, But in...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for...
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Theatre and Entertainment

Kathy Elgin - 2005 - 40 pągines
...in this way. In the floor of the stage was a trap-door, through which devils or ghosts could appear. Is it not monstrous that this player here, But in...conceit That from her working all his visage wann'd. HAMLET, ACT 2, SCENE 2 but: only concert: thing he was imagining visage: face wann'd: went pale ft...
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Fantasies of Troy: Classical Tales and the Social Imaginary in Medieval and ...

Alan Shepard, Stephen David Powell Powell - 2004 - 324 pągines
...gaze when he has Hamlet, after one of the players recites a speech for him, play the drama critic: O, what a rogue and peasant slave am I! Is it not...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned. Tears in his eyes, distraction in 's aspect,...
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The Literary Wittgenstein

John Gibson, Wolfgang Huemer - 2004 - 372 pągines
...struck by the discrepancy between the mere artor's histrionic intensity and his own culpable passivity: O, what a rogue and peasant slave am I! Is it not...a dream of passion, Could force his soul so to his whole conceit That from her working a1l his visage wanned, Tears in his eyes, distrartion in 's aspect,...
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Brewer's Dictionary of Irish Phrase & Fable

Seįn McMahon, Jo O'Donoghue - 2004 - 896 pągines
[ El contingut d’aquesta pągina estą restringit ]
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The Great Comedies and Tragedies

William Shakespeare - 2005 - 900 pągines
...are welcome to Elsinore. 530 ROSENC'Z Good my lord. [they take their leave HAMLET Ay, so, God bye to you! Now I am alone. O, what a rogue and peasant slave...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
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Trauma and Ethics in the Novels of Graham Swift: No Short-cuts to Salvation

Stef Craps - 2005 - 252 pągines
[ El contingut d’aquesta pągina estą restringit ]
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Shakespeare in Japan

Tetsuo Kishi - 2005 - 167 pągines
...about Fukuda's translation5 of Hamlet's second soliloquy (Act II, scene ii), which begins as follows: Now I am alone. O what a rogue and peasant slave am...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect,...
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Aeschylus: Agamemnon

Barbara Goward - 2005 - 166 pągines
[ El contingut d’aquesta pągina estą restringit ]
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Theater and Entertainment

Kathy Elgin - 2005 - 36 pągines
...the actors' skill. Even uneducated people were accustomed to using their imaginations in this way. Is it not monstrous that this player here, But in...conceit That from her working all his visage wann'd. HAMLET, ACT 2, SCENE 2 but: only concert: thing he was imagining visage: face wann'd: went pale In...
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