Article I-H.R.H. Prince Albert as an Art Collector. By Lionel Cust, Article II-Pictures by Sano di Pietro and Duccio. By Lionel Cust, M.V.O., F.S.A., and Langton Douglas Article III—The Likeness of Christ. By Lionel Cust, M.V.O., F.S.A., Part II (conclusion) 243 118 246089 The Exhibition of French Primitives at Paris. By Paul Vitry Part II (conclusion) Minor English Furniture Makers of the Eighteenth Century. Article II- Robert Manwaring. By R. S. Clouston Italian Boxwood Carvings of the Early Sixteenth Century. By Dr. Wilhelm Bode 179 Portraits by John Van Eyck in the Vienna Gallery. By W. H. James Weale Some Notes on the Early Milanese Painters Butinone and Zenale. Part III (conclusion)-Zenale as a Portrait Painter. By Herbert Cook, F.S.A. The Oxford Exhibition of Historical Portraits. By the Rev. Herbert E. D. On Oriental Carpets. Article VII-The Summing-up of Symbolism . Two Mediaeval Caskets, with Subjects from Romance. By Osborne M. Dalton 299 A Miniature by Holbein. By Richard R. Holmes, C.V.O., F.S.A. The Masterpieces by Velazquez in the Imperial Gallery at Vienna. The Consequences of the American Invasion. A Yorkshire Collection of English Furniture. Notes on Mr. Orrock's English Pictures. By C. J. Holmes The History of our New Dürer. By C. J. Holmes Italian Pictures in Sweden. Part I-Pictures of Schools other than Venetian. Chantrey and his Bequest,' Cassell & Co., 505 'Colour Prints of Japan,' Edward F. Strange, 418 Constantin Meunier, sculpteur et peintre,' Camille Lemon- 'Cruikshank's Water Colours,' introduction by Joseph Grego, 106 'Deutsche Schmelzarbeiten des Mittelalters' von Otto von Part I, Collotype Facsimiles,' by Sidney Colvin, M.A., • Florentiner Bildhauer der Renaissance,' Bode, W., 'German and Flemish Masters in the National Gallery, The,' 'Ghent Altarpiece of the Brothers Van Eyck.' (Berlin 'Gioacchino di Marzo, Di Antonello da Messina e dei Suoi congiunti, Studi e Documenti,' Palermo, 1903; 321. Bibliography and Reviews-cont. 'History and Description of English Earthenware and 'History of Painting in Italy, Umbria, Florence Sixteenth Century,' by J. A. Crowe and G. B. Cavalca- 'Illustrators of Montmartre, The,' Frank L. Emanuel, 418 'Japanische Schwertzieraten,' Gustav Jacoby, 223 'Jeux à l'Exposition Universelle Internationale de 1900 à Paris,' Henry d'Allemagne, Vol. 1; 107 Leighton,' Alice Corkran, 322 'Leonardo da Vinci,' Edward McCurdy, M.A., 417 'Letters of Horace Walpole,' edited by C. B. Lucas, 324 sur la Peinture Française et Provençale,' Georges H. de Loo, 592 'Liber Studiorum,' J. M. W. Turner, 323 'Micro-cosmographie,' John Earle, 324 'Odoardo,' H. Giglioli. Pistoia nelle sue opere d'arte, con prefazione di Alessandro Chiappelli, 418 Painting, Six lectures on, George Clausen, 234 Pewter Plate,' H. J. L. J. Massé, 223 'Poets' Corner, The,' Max Beerbohm, 324 'Prado and its Masterpieces, The,' C. S. Ricketts, 320 'Standards of Taste in Art,' E. S. P. Haynes, 324 4 'Thirty-five Styles of Furniture, The' (numerous plates from pen-and-ink drawings), 419 Turner,' Frances Tyrell-Gill, 106 'Two Centuries of Costume in America, 1620-1820,' Alice M. Earle, 2 vols., 107 'Velasquez,' Wilfred Wilberforce and A. R. Gilbert, 322 Gallery, The,' T. A. Cook, M.A., 106 'What is Art?' Leo Tolstoy, translated by Aylmer Maude, 504 'Year's Art, The, 1904,' 105 Reprints, and Reproductions, illustrated :- Areopagitiça,' John Milton (Eragny Press), 324 'Ask Mamma,' R. S. Surtees, 324 'Booke of Thenseygnementes and Techynge,' Chevalier 'Frank Fairleigh,' Smedley (Methuen), 420 'Golden Trade, The,' Richard Jobson, edited by C. G. 'Hampstead Shakespeare,' 4 vols. (James Finch and Co.), 324 'Life of an Actor, The,' Pierce Egan, 324 'Pantagruel' (Société du Mercure de France), 107 of London, The,' Harrison Ainsworth Periodicals:- The Ancestor, 325 The Architectural Review, 108, 326, 506, 595 Gazette des Beaux-Arts, 108, 225, 325, 505, 594 La Revue de l'Art, 225, 326 L'Arte, 225 Rassegna d'Arte, 108, 225, 326, 506 Catalogues and Reports:- Forty-seventh Annual Report of the Trustees of the Illustrated Catalogue of a Loan Collection of Portraits of Official catalogue of National Gallery and National Report on changes in distribution of works of art in Billingsley, decorator of Welsh porcelain, 397, 407; evolution of Book-making, exhibition of, at Plantin Museum, 596 Summary of important books sold (March-June 1904), 590, 591 Boxwood Carvings, Italian, 179 Period during which they were made, 179-180 Small carvings, generally executed by goldsmiths as models Boxwood Carvings, Italian-cont. Gold and silver models practically extinct, 189 Illustrations: Bronze figure of Hercules in the Ashmolean Nantgarw stamp, 407 attempt to improve Billingsley's recipe, 407 Moustiers Ware, 463-466 origin and starting point of manufacture, 463, 464 two different Clérissy's who manufactured faience at comparison between Marseilles and Moustiers Ware, 464 various pieces illustrated on pp. 467, 469, 471, 473 'Chair Makers' Guide,' 174, 178 Chantrey Trustees and the nation, 116, 117 action of House of Lords, 336 report of Select Committee of House of Lords, 515 see also 232, 234, 430 Charenton, Enguerrand, French painter, 370-379 his great picture, 370 Chippendale, Thomas, furniture designed by, 13 carvings attributed to, 14 transition from 'Queen Anne,' 483-485 chairs made by and attributed to, reproduced on pp. 487. see als 175, 176, 178, 381, 382, 391, 392. 483-503 construction of, 12, 13 date of rebuilding, 13 probable designer of Chinese room, 14 the pink parlour, 243 hall, staircase, an i dome designed by Adam, 214, 245, 246 Florence Nightingale's connexion with Claydon House, 246 Hall, 17; Alcove in the North Hall, 17; detail of Door Clérissy, Peter, maker of faience, 463–466 Clérissy II, Peter, maker of faience, 465-466 Consort, Prince, see Prince Albert Copeland, Furniture designer, 174, 382, 497 Cornelius, painter of Munich School, 8 Cornelius de Zeeu Pinxit, a painter of xvi cent., 213 possibly identical with Marinus van Romerswale, 213 Corvus, Johannes, a painter of XVI cent., 212 his work exhibited at Oxford attributed to Holbein, 212 178, 381, 382, 392, 482, 483, 497 Dixmude, arched screen in St. Nicholas' Church, 328 Duccio di Buoninsegna, Sienese painter, 349, 582 painting by, acquired by Prince Consort, 349 three periods in his artistic career compared, 349, 350 Durand-Ruel Gallery, views by Claude Monet, 327 Dürer, portrait attributed to, of Albert Dürer, purchased by from Charles I collection, 431 objections raised against it, 431, 432 comparison with other portraits and a drawing attributed to, 432 points which go to prove its authenticity, 433 the inscription on the portrait, 434 history of portrait, 434 opinions of authorities on, 570-572 |
