Fireflies were quenched on the dewy corn, Glowworms went out on the river's brim, Like lamps which a student forgets to trim: The beetle forgot to wind his horn,
The crickets were still in the meadow and hill: Like a flock of rooks at a farmer's gun Night's dreams and terrors, every one, Fled from the brains which are their prey, From the lamp's death to the morning ray:
All rose to do the task He set to each, Who shaped us to His ends and not our own; The million rose to learn, and one to teach What none yet ever knew or can be known;
Whose woe was such that fear became desire; Melchior and Lionel were not among those; They from the throng of men had stepped aside, And made their home under the green hill side. It was that hill, whose intervening brow Screens Lucca from the Pisan's envious eye, Which the circumfluous plain waving below, Like a wide lake of green fertility,
With streams and fields and marshes bare, Divides from the far Apennines-which lie Islanded in the immeasurable air.
"What think you, as she lies in her green cove, Our little sleeping boat is dreaming of?
If morning dreams are true, why I should guess That she was dreaming of our idleness,
And of the miles of watery way
We should have led her by this time of day ?"—
"Never mind," said Lionel,
"Give care to the winds, they can bear it well
About yon poplar tops; and see
The white clouds are driving merrily,
And the stars we miss this morn will light
More willingly our return to-night.
List, my dear fellow, the breeze blows fair;
How it scatters Dominic's long black hair, Singing of us, and our lazy motions, If I can guess a boat's emotions."
The chain is loosed, the sails are spread, The living breath is fresh behind, As with dews and sunrise fed,
Comes the laughing morning wind;
The sails are full, the boat makes head Against the Serchio's torrent fierce, Then flags with intermitting course,
And hangs upon the wave, [
Which fervid from its mountain source Shallow, smooth and strong doth come,- Swift as fire, tempestuously
It sweeps into the affrighted sea;
In morning's smile its eddies coil, Its billows sparkle, toss and boil, Torturing all its quiet light Into columns fierce and bright.
The Serchio, twisting forth Between the marble barriers which it clove At Ripafratta, leads through the dread chasm The wave that died the death which lovers love, Living in what it sought; as if this spasm Had not yet past, the toppling mountains cling, But the clear stream in full enthusiasm Pours itself on the plain, until wandering, Down one clear path of effluence crystalline Sends its clear waves, that they may fling At Arno's feet tribute of corn and wine, Then, through the pestilential deserts wild Of tangled marsh and woods of stunted fir, It rushes to the Ocean.
SUMMER was dead and Autumn was expiring, And infant Winter laughed upon the land All cloudlessly and cold; when I, desiring More in this world than any understand, Wept o'er the beauty, which like sea retiring,
Had left the earth bare as the wave-worn sand Of my poor heart, and o'er the grass and flowers Pale for the falsehood of the flattering hours.
Summer was dead, but I yet lived to weep The instability of all but weeping; And on the earth lulled in her winter sleep
I woke, and envied her as she was sleeping. Too happy Earth! over thy face shall creep
The wakening vernal airs, until thou, leaping From unremembered dreams, shalt [ ] see No death divide thy immortality.
I loved-O no, I mean not one of ye,
Or any earthly one, though ye are dear
As human heart to human heart may be;
I loved, I know not what-but this low sphere
And all that it contains, contains not thee,
Thou, whom seen nowhere, I feel everywhere, Dim object of my soul's idolatry.
By Heaven and Earth, from all whose shapes thou flowest, Neither to be contained, delayed, or hidden, Making divine the loftiest and the lowest,
When for a moment thou art not forbidden To live within the life which thou bestowest;
And leaving noblest things vacant and chidden, Cold as a corpse after the spirit's flight,
Blank as the sun after the birth of night.
In winds, and trees, and streams, and all things common, In music and the sweet unconscious tone
Of animals, and voices which are human,
Meant to express some feelings of their own;
In the soft motions and rare smile of woman,
In flowers and leaves, and in the fresh grass shown,
Or dying in the autumn, I the most
Adore thee present or lament thee lost.
And thus I went, lamenting when I saw A plant upon the river's margin lie, Like one who loved beyond his Nature's law, And in despair had cast him down to die; Its leaves which had outlived the frost, the thaw Had blighted as a heart which hatred's eye Can blast not, but which pity kills; the dew Lay on its spotted leaves like tears too true.
The Heavens had wept upon it, but the Earth Had crushed it on her unmaternal breast.
I bore it to my chamber, and I planted It in a vase full of the lightest mould; The winter beams which out of Heaven slanted
Fell through the window panes, disrobed of cold, Upon its leaves and flowers; the star which panted In evening for the Day, whose car has rolled Over the horizon's wave, with looks of light Smiled on it from the threshold of the night.
The mitigated influences of air
And light revived the plant, and from it grew Strong leaves and tendrils, and its flowers fair, Full as a cup with the vine's burning dew, O'erflowed with golden colours; an atmosphere Of vital warmth enfolded it anew, And every impulse sent to every part
The unbeheld pulsations of its heart.
Well might the plant grow beautiful and strong, Even if the sun and air had smiled not on it; For one wept o'er it all the winter long
Tears pure as Heaven's rain, which fell upon it Hour after hour; for sounds of softest song
Mixed with the stringed melodies that won it To leave the gentle lips on which it slept, Had loosed the heart of him who sat and wept.
Had loosed his heart, and shook the leaves and flowers On which he wept, the while the savage storm Waked by the darkest of December's hours
Was raving round the chamber hushed and warm; The birds were shivering in their leafless bowers, The fish were frozen in the pools, the form Of every summer plant was dead [
THEY die-the dead return not-Misery Sits near an open grave and calls them over, A Youth with hoary hair and haggard eye-
They are the names of kindred, friend, and lover, Which he so feebly called-they all are gone! Fond wretch, all dead, those vacant names alone, This most familiar scene, my pain- These tombs alone remain.
Misery, my sweetest friend-oh! weep no more! Thou wilt not be consoled-I wonder not! For I have seen thee from thy dwelling's door Watch the calm sunset with them, and this spot Was even as bright and calm, but transitory, And now thy hopes are gone, thy hair is hoary; This most familiar scene, my pain- These tombs alone remain.
Он, world! oh, life! oh, time! On whose last steps I climb Trembling at that where I had stood before;
When will return the glory of your prime?
No more-O, never more!
Out of the day and night A joy has taken flight; Fresh spring, and summer, and winter hoar,
Move my faint heart with grief, but with delight
No more-O, never more!
LOVE'S FHILOSOPHY.
THE fountains mingle with the river, And the rivers with the ocean, The winds of heaven mix for ever With a sweet emotion; Nothing in the world is single; All things by a law divine In one another's being mingle- Why not I with thine?
See the mountains kiss high heaven, And the waves clasp one another; No sister flower would be forgiven If it disdained its brother: And the sunlight clasps the earth, And the moonbeams kiss the sea, What are all these kissings worth, If thou kiss not me?
TO EMELIA VIVIANI. MADONNA, wherefore hast thou sent
Sweet basil and mignonette? Embleming love and health, which never yet
In the same wreath might be.
Alas, and they are wet!
Is it with thy kisses or thy tears?
For never rain or dew Such fragrance drew From plant or flower-the very doubt endears
My sadness ever new, The sighs I breathe, the tears I shed for thee.
I FEAR thy kisses, gentle maiden, Thou needest not fear mine; My spirit is too deeply laden Ever to burden thine.
I fear thy mien, thy tones, thy motion, Thou needest not fear mine;
Innocent is the heart's devotion With which I worship thine.
WHEN the lamp is shattered The light in the dust lies deadWhen the cloud is scattered The rainbow's glory is shed.
When the lute is broken, Sweet tones are remembered not; When the lips have spoken, Loved accents are soon forgot.
As music and splendour Survive not the lamp and the lute, The heart's echoes render No song when the spirit is mute: No song but sad dirges, Like the wind through a ruined cell, Or the mournful surges That ring the dead seaman's knell.
When hearts have once mingled Love first leaves the well-built nest, The weak one is singled
To endure what it once possest. O Love! who bewailest The frailty of all things here, Why choose you the frailest For your cradle, your home and your bier?
Its passions will rock thee
As the storms rock the ravens on high: Bright reason will mock thee, Like the sun from a wintry sky. From thy nest every rafter Will rot, and thine eagle home
Leave the naked to laughter, When leaves fall and cold winds come.
TO WILLIAM SHELLEY.
(With what truth I may say- Roma Roma! Roma! Non è più come era prima !) My lost William, thou in whom Some bright spirit lived, and did That decaying robe consume
Which its lustre faintly hid, Here its ashes find a tomb,
But beneath this pyramid Thou art not-if a thing divine Like thee can die, thy funeral shrine Is thy mother's grief and mine.
Where art thou, my gentle child? Let me think thy spirit feeds, Within its life intense and mild,
The love of living leaves and weeds, Among these tombs and ruins wild;
Let me think that through low seeds Of the sweet flowers and sunny grass, Into their hues and scents may pass A portion
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