The Composite Art of ActingMacmillan, 1966 - 450 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 76.
Pàgina 158
... Notes , continue your study for the rest of the excerpt . HAM . Then saw you not his face ? HOR . O , yes , my lord ; he wore his beaver up . HAM . What , look'd he frowningly ? HOR . A countenance more in sorrow than in anger . Notes Notes ...
... Notes , continue your study for the rest of the excerpt . HAM . Then saw you not his face ? HOR . O , yes , my lord ; he wore his beaver up . HAM . What , look'd he frowningly ? HOR . A countenance more in sorrow than in anger . Notes Notes ...
Pàgina 200
Jerry Blunt. Notes If they should speak , would almost damn those ears Which , hearing them , would call their brothers fools . I'll tell thee more of this ... Notes JACK . ( Pulling off gloves ) When one 200 THE COMPOSITE ART OF ACTING.
Jerry Blunt. Notes If they should speak , would almost damn those ears Which , hearing them , would call their brothers fools . I'll tell thee more of this ... Notes JACK . ( Pulling off gloves ) When one 200 THE COMPOSITE ART OF ACTING.
Pàgina 296
... Notes I don't know what it is , but I can't cry . I don't understand it . Why did you ever do that ? Help me , Willy ... Notes As high in the air as this unthank- Notes ful 296 THE COMPOSITE ART OF ACTING.
... Notes I don't know what it is , but I can't cry . I don't understand it . Why did you ever do that ? Help me , Willy ... Notes As high in the air as this unthank- Notes ful 296 THE COMPOSITE ART OF ACTING.
Continguts
The Voice | 109 |
the contents of Part I are set down in essay form intended to correspond | 113 |
The Expressive Word | 152 |
Copyright | |
No s’hi han mostrat 16 seccions
Frases i termes més freqüents
ABIGAIL acting activity actor ANGÉLIQUE ANTIOPE Argan arms Arthur Miller attitude audience aware basic body center of interest character commedia dell'arte condition conflict create creation creative DIAFOIRUS dramatic experience dramatic instinct element emotional employed EXERCISES AND ASSIGNMENTS expression eyes face feelings Ferenc Molnar function Glass Menagerie Hamlet hand head human Imaginary Invalid indicates intensity JULIE Juliet kind LILIOM look manner MARLOW meaning meaningful ment mind minor climax MISS HARDCASTLE MISS JULIE Molière motivation move muscles nature Notes onstage orotund pantomime pantomimist pause perform person phonation physical pitch play player playwright possible practice reaction rehearsal release response reveal role scene sense sequence situation sound speech stage business Stoops To Conquer strength tempo Tennessee Williams theatre THESEUS thing thought tion Toinette tonal patterns tone Tony turn vocal folds voice words
Referències a aquest llibre
Script Analysis: Reading and Understanding the Playscript for Production David Grote Visualització de fragments - 1985 |
A Clarification of the Concept of Focus in the Performing Art of Dance Diane Carrière Visualització de fragments - 1980 |