Night after night, when the world was asleep, as the watchman repeated Wending her quiet way, she entered the door of the almshouse. in the garden; Loud, through the gusty streets, that all was well Sweet on the summer air was the odour of flowers in the city, High at some lonely window he saw the light of And she paused on her way to gather the fairest her taper. Day after day, in the grey of the dawn, as slow That the dying once more might rejoice in their through the suburbs, fragrance and beauty. among them, Plodded the German farmer, with flowers and Then, as she mounted the stairs to the corridors, fruits for the market, cooled by the east wind, Met he that meek, pale face, returning home from Distant and soft on her ear fell the chimes from its watchings. Softly the words of the Lord: "The poor ye always have with you." the belfry of Christ Church, While, intermingled with these, across the meadows were wafted Sounds of psalms, that were sung by the Swedes in their church at Wicaco. Soft as descending wings fell the calm of the hour are ended;" And, with light in her looks, she entered the chambers of sickness. Noiselessly moved about the assiduous, careful attendants, Moistening the feverish lip, and the aching brow, and in silence Closing the sightless eyes of the dead, and con cealing their faces, Where on their pallets they lay, like drifts of snow by the roadside. Many a languid head, upraised as Evangeline entered, Turned on its pillow of pain to gaze while she passed, for her presence Fell on their hearts like a ray of the sun on the walls of a prison. And, as she looked around, she saw how Death, the consoler, Laying his hand upon many a heart, had healed it for ever. Many familiar forms had disappeared in the nighttime; Thither, by night and by day, came the Sister of Vacant their places were, or filled already by Mercy. The dying pillows. Thus, on a Sabbath morn, through the streets, On the pallet before her was stretched the form of deserted and silent, an old man. Long, and thin, and grey were the locks that As when a lamp is blown out by a gust of wind at shaded his temples; But, as he lay in the morning light, his face for a moment Seemed to assume once more the forms of its earlier manhood; Whispered a gentle voice, in accents tender and saint-like, Gabriel! O my beloved!" and died away into silence. a casement. Thousands of aching brains, where theirs no longer are busy, Then he beheld, in a dream, once more the home Thousands of toiling hands, where theirs have of his childhood; Green Acadian meadows, with sylvan rivers among them, Village, and mountain, and woodlands; and, walking under their shadow, ceased from their labours, Thousands of weary feet, where theirs have completed their journey! Still stands the forest primeval; but under the shade of its branches As in the days of her youth, Evangeline rose in Dwells another race, with other customs and his vision. language. Tears came into his eyes; and as slowly he lifted Only along the shore of the mournful and misty his eyelids, Atlantic Vanished the vision away, but Evangeline knelt Linger a few Acadian peasants, whose fathers from by his bedside. exile Vainly he strove to whisper her name, for the Wandered back to their native land to die in its bosom. accents unuttered In the fisherman's cot the wheel and the loom are still busy; Died on his lips, and their motion revealed what his tongue would have spoken. Vainly he strove to rise; and Evangeline, kneeling beside him, Maidens still wear their Norman caps and their kirtles of homespun, And by the evening fire repeat Evangeline's story, Kissed his dying lips, and laid his head on her While from its rocky caverns the deep-voiced bosom. neighbouring ocean Sweet was the light of his eyes; but it suddenly Speaks, and in accents disconsolate answers the sank into darkness, wail of the forest. THE TITMOUSE. [RALPH WALDO EMERSON. Born at Boston, 1803. Educated at Harvard College. Was constituted a Unitarian minister 1829, but in a few years retired into private life at Concord.] You shall not be overbold When you deal with arctic cold, As late I found my lukewarm blood How should I fight? my foeman fine AT THE OPERA. Miles off, three dangerous miles, is home; The winds shall sing their dead-march old, The moon thy mourner, and the cloud. Softly-but this way fate was pointing, Out of sound heart and merry throat, This poet, though he live apart, Here was this atom in full breath, "You pet! what dost here? and what for? To ape thy dare-devil array ? "Tis good-will makes intelligence, In the great woods, on prairie floors. I dine in the sun; when he sinks in the sea, I too have a hole in a hollow tree; And I like less when Summer beats With glad remembrance of my debt, I think old Cæsar must have heard A T THE OPERA-FAUST.* [WILLIAM SAWYER. See Page 89, Vol. II.] "Tis the Gretchen's pitcous story That I hear yet do not hear, And its wailing, warning accents That awake nor awe nor fear, For I move in a dream Elysian, By kind permission of the Author. 367 It came with the curtain's rising, And the air had fragrant grown, In the midst of the grand exotics That blossom the Season through, The hounds up a rimy hill, So fresh and rosy and dimpled- Those womanly tender eyes! Drink in the sound like wine! Passionate sense of enjoyment, They are hers as the sorrowful story And those strains deliciously tender And she in her virginal beauty As pure as a pictured saint, That neither reasons or knows: Some cadence airily wrought. Till the music surges and ceases The box is empty and cold, |