Collection, Laboratory, Theater: Scenes of Knowledge in the 17th Century

Portada
Helmar Schramm, Ludger Schwarte, Jan Lazardzig
Walter de Gruyter, 2005 - 594 pàgines

This volume launches a new, eight-volume series entitled Theatrum Scientiarum on the history of science and the media which has arisen from the work of the Berlin special research project on "Performative Cultures" under the aegis of the Theatre Studies Department of the Free University.

The volume examines the role of space in the constitution of knowledge in the early modern age. "Kunstkammern" (art and curiosities cabinets), laboratories and stages arose in the 17th century as instruments of research and representation. There is, however, still a lack of precise descriptions of the epistemic contribution made by material and immaterial space in the performance of knowledge. Therefore, the authors present a novel view of the conditions surrounding the creation of these spatial forms. Account is taken both of the institutional framework of these spaces and their placement within the history of ideas, the architectural models and the modular differentiations, and the scientific consequences of particular design decisions. Manifold paths are followed between the location of the observer in the representational space of science and the organization in time and space of sight, speech and action in the canon of European theatrical forms. Not only is an account given of the mutual architectural and intellectual influence of the spaces of knowledge and the performance spaces of art; they are also analyzed to ascertain what was possible in them and through them.

This volume is the English translation of Kunstkammer, Laboratorium, Bühne (de Gruyter, Berlin, 2003).

 

Continguts

The Final Frontier
1
On the Transformation of Performative Space in the 17th Century
9
Thought Experiments in SeventeenthCentury Mechanics
35
The Smallest Venue of Knowledge in the 17th Century 15851665
57
Anatomical Theatre as Experimental Space
75
The Florentine Uffizi as Kunstkammer Laboratory and Stage
103
Immutable or Dynamic? The Case of the Library
122
About the Concepts of Affections Asserted by Athanasius Kircher and Claudio Monteverdi
146
Spaces of Certainty in the 17th Century
316
Images Instruments and the Technology of Amplification
338
Telescope and Microscope in the Works of Goethe Leeuwenhoek and Hooke
355
The SixteenthCentury Mexican Missionary Convent as Theatre of Conversion
394
The MilitaryEntertainment Complex
427
Science in its Social Space
456
Newtons Space Viewed by PresentDay Physics
467
Material Culture Theoretical Culture and Delocalization
490

Power Play and the Politics of Love in 17th Century France
162
On the Architectonic of Academic Social Life Exemplified by the Brandenburg Universität der Völker Wissenschaften und Künste 166667
176
The Known and Unknown Kunstkammer of Rudolf II
199
Pictorial Strategies in EarlyModern Wunderkammern
228
Three Thought Loci by Gottfried Wilhelm Leibniz
266
On the Representation of Knowledge in Athanasius Kircher
283
Space Time and Numerical Speculation in the Ancient Metaphysical Fashion
303
Wonder Vision Knowledge
507
About the Authors
527
Image Credits
533
Bibliography
541
Index of Names
571
Index of Subjects
576
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