Center Or Margin: Revisions of the English Renaissance in Honor of Leeds BarrollSusquehanna University Press, 2006 - 318 pàgines Center or Margin: Revisions of the English Renaissance in Honor of Leeds Barroll includes essays by Catherine Belsey, Harry Berger, Jr., Philippa Berry, Raphael Falco, Jean E. Howard, Lena Cowen Orlin, Patricia Parker, Phyllis Rackin, Bruce R. Smith, Barbara Maria Stafford, Peter Stallybrass, and Susanne Woods. With sections on England at the Margins, Researching the Renaissance, The Human Figure on the Stage, and Artificial Persons, the collection makes interventions in historiography as well as history, literary interpretation, and also literary criticism. Some of the issues are England's marginal status in the sixteenth- and seventeenth- century world; the re-centering strategies of the Renaissance public theater in both time and space; mutually reinforcing fallacies engendered by common practices of canon formation and historical narrative; the central meanings of marginal characters in Shakespeare and Milton; |
Des de l'interior del llibre
Resultats 1 - 3 de 26.
Pàgina 57
... begins with hypocritical Stoics who have smooth- shaven " favourites " and ends with the connection between " shaven chins and posteriors . " Dio Chrysostom ( in a discourse directed to the inhabi- tants of Tarsus in Cilicia ) traces a ...
... begins with hypocritical Stoics who have smooth- shaven " favourites " and ends with the connection between " shaven chins and posteriors . " Dio Chrysostom ( in a discourse directed to the inhabi- tants of Tarsus in Cilicia ) traces a ...
Pàgina 242
... begins , a single word is spoken by an actor onstage : it emerges out of the noise of the assembling audience . Trumpet blasts momentarily impose a central focus on this noise , but the script itself begins with dispersed sounds rather ...
... begins , a single word is spoken by an actor onstage : it emerges out of the noise of the assembling audience . Trumpet blasts momentarily impose a central focus on this noise , but the script itself begins with dispersed sounds rather ...
Pàgina 245
... begins , is both collective and individual . An indi- vidual entering the theater speaks to his or her nearest companions . As more and more people do the same , more and more voices are added to the cacophony , until the combined ...
... begins , is both collective and individual . An indi- vidual entering the theater speaks to his or her nearest companions . As more and more people do the same , more and more voices are added to the cacophony , until the combined ...
Continguts
List of Illustrations 7 | 7 |
England at the Margins | 25 |
The Violence of Cultural Incorporation in | 40 |
Copyright | |
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Center Or Margin: Revisions of the English Renaissance in Honor of Leeds Barroll John Leeds Barroll Previsualització limitada - 2006 |
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