Screening the Holocaust: Cinema's Images of the UnimaginableIndiana University Press, 1988 - 212 pàgines Analysis of selected films about the Holocaust focusing on the concentrationcamp and the program of genocide, and how they are represented. The Photographic Image and Cinematic Documentation; The Discontent of Film Narrative; Stylistic Approaches to the Representation of the Holocaust on the Screen: The Czech Cinema; The Hollywood Film and the Presentation of the Jewish Catastrophe; Chaplin's The Great Dictator; Modernist and Post-Modernist Comprehensions of the Nazi Terror and Inhumanity |
Des de l'interior del llibre
Resultats 1 - 3 de 34.
Pàgina viii
... actual events . The facticity of the Holocaust , understood in terms of the unsettling facts and details of historical accounts , is a special challenge for any artistic discourse on the subject . For many sensitive minds , the ...
... actual events . The facticity of the Holocaust , understood in terms of the unsettling facts and details of historical accounts , is a special challenge for any artistic discourse on the subject . For many sensitive minds , the ...
Pàgina 41
... actual incidents , inspired by the direct war experience of those involved in the making of the film . However , the juxtaposition between the promising future of the young children and the tragedy of their parents is unbalanced because ...
... actual incidents , inspired by the direct war experience of those involved in the making of the film . However , the juxtaposition between the promising future of the young children and the tragedy of their parents is unbalanced because ...
Pàgina 172
... actual machinery of Auschwitz or Treblinka , just as no reader of “ The Meta- morphosis " would accept Gregor Samsa's transformation into a giant insect as a change that could ever actually overtake him . We accept these intricate ...
... actual machinery of Auschwitz or Treblinka , just as no reader of “ The Meta- morphosis " would accept Gregor Samsa's transformation into a giant insect as a change that could ever actually overtake him . We accept these intricate ...
Continguts
The Photographic Image and | 1 |
The Discontents of Film Narrative | 33 |
Stylistic Approaches to | 52 |
Copyright | |
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Screening the Holocaust: Cinema's Images of the Unimaginable Ilan Avisar Visualització de fragments - 1988 |
Frases i termes més freqüents
action actual aesthetic Alain Resnais American Anne Frank antisemitism Arnost Lustig artistic atrocities attitudes Auschwitz barber brutal Brynych camera Chaplin character Christian cinema comic concentration camp universe contrast critical crucial cultural Czech death camps demonstrate deportation Diary dictator Directed Distant Journey documentary dramatic Edward Dmytryk Emmanuel Europe evil experience expression extermination Fascist fictional Fifth Horseman film film's filmmakers Finzi-Continis forces gas chambers genocide German ghetto Giorgio historical Hitler Hollywood Holocaust horrors human Hynkel Ibid inhumanity inmates Jewish Jews Kapo killed Klein Langer Lanzmann moral Mortal Storm movie narrative Nazi Nazi Germany Nazism Night and Fog novel persecution political popular predicament present prisoners Radok realistic reality Resnais role Rosenfeld scene Script sequence Shoah shots social soldiers Sophie's Sophie's Choice story style Terezin theme Third Reich Tono Tono's tragedy tragic Transport from Paradise Triumph victims viewers Visconti visual World World War II York young