Screening the Holocaust: Cinema's Images of the UnimaginableIndiana University Press, 1988 - 212 pàgines Analysis of selected films about the Holocaust focusing on the concentrationcamp and the program of genocide, and how they are represented. The Photographic Image and Cinematic Documentation; The Discontent of Film Narrative; Stylistic Approaches to the Representation of the Holocaust on the Screen: The Czech Cinema; The Hollywood Film and the Presentation of the Jewish Catastrophe; Chaplin's The Great Dictator; Modernist and Post-Modernist Comprehensions of the Nazi Terror and Inhumanity |
Des de l'interior del llibre
Resultats 1 - 3 de 18.
Pàgina 54
... Radok's Distant Journey ( 1948 , also known as The Long Journey ) . Alfred Radok was born in southern Bohemia to a Christian mother and a Jewish father and was brought up celebrating the holidays of both religions . He was in college at ...
... Radok's Distant Journey ( 1948 , also known as The Long Journey ) . Alfred Radok was born in southern Bohemia to a Christian mother and a Jewish father and was brought up celebrating the holidays of both religions . He was in college at ...
Pàgina 60
... Radok's aesthetic approach to death and violence . It also demonstrates his concern with the total tragedy rather than concentrating on one central action . Radok literally abandons the narrative in order to go beyond the story to ...
... Radok's aesthetic approach to death and violence . It also demonstrates his concern with the total tragedy rather than concentrating on one central action . Radok literally abandons the narrative in order to go beyond the story to ...
Pàgina 63
... Radok also avoids the artificial theatricality or stylization of the per- formances found in many early expressionist films , including Metropolis . Radok also displays a high degree of good taste by avoiding explicit graphic horror and ...
... Radok also avoids the artificial theatricality or stylization of the per- formances found in many early expressionist films , including Metropolis . Radok also displays a high degree of good taste by avoiding explicit graphic horror and ...
Continguts
The Photographic Image and | 1 |
The Discontents of Film Narrative | 33 |
Stylistic Approaches to | 52 |
Copyright | |
No s’hi han mostrat 6 seccions
Altres edicions - Mostra-ho tot
Screening the Holocaust: Cinema's Images of the Unimaginable Ilan Avisar Visualització de fragments - 1988 |
Frases i termes més freqüents
action actual aesthetic Alain Resnais American Anne Frank antisemitism Arnost Lustig artistic atrocities attitudes Auschwitz barber brutal Brynych camera Chaplin character Christian cinema comic concentration camp universe contrast critical crucial cultural Czech death camps demonstrate deportation Diary dictator Directed Distant Journey documentary dramatic Edward Dmytryk Emmanuel Europe evil experience expression extermination Fascist fictional Fifth Horseman film film's filmmakers Finzi-Continis forces gas chambers genocide German ghetto Giorgio historical Hitler Hollywood Holocaust horrors human Hynkel Ibid inhumanity inmates Jewish Jews Kapo killed Klein Langer Lanzmann moral Mortal Storm movie narrative Nazi Nazi Germany Nazism Night and Fog novel persecution political popular predicament present prisoners Radok realistic reality Resnais role Rosenfeld scene Script sequence Shoah shots social soldiers Sophie's Sophie's Choice story style Terezin theme Third Reich Tono Tono's tragedy tragic Transport from Paradise Triumph victims viewers Visconti visual World World War II York young