Nights Entertainment. He has carried it, however, to a still greater excess than in these tales. The history, the manners, the mythology, of all ages and nations, are jumbled together. Nothing can be imagined more entirely devoid of nature or probability.

His view appears to have been not merely the amusement of his readers, but chiefly the propagation of certain opinions, not always of the best and most useful kind; and, indeed, it is difficult to conceive how truth could be at all promoted by fictions so extravagant. Besides false philosophy, they abound also with licentious morality. It must be owned, however, that they are frequently enlivened by those sallies of wit and gaiety, which render the general writings of this author so amusing.

PREVÔT.

It would be improper here not to mention Prevôt, though he does not appear to have attained the same celebrity in this country

as in France. This writer excels in a lively and natural mode of narration, which makes it difficult to believe that the events which he relates are not real. He possesses, also, very great pathetic powers. These appear particularly in the story of Manon L'Escaut; nothing can be more affecting than the conclusion of that little work.

His chief fault is the want of connection, and the desultory and unconnected manner in which the events succeed each other. And as there is little appearance of design in their structure, so there is as little in their tendency. He seems to have written whatever occurred to him, without much regard · to either of these circumstances.

MARIVAUX.

The peculiar talent of Marivaux, is that of penetrating into the inmost recesses of the human heart, and laying open those secret motives, unperceived often by ourselves, which guide many of our actions. This is a talent in which the French writers have

surpassed those of most other nations. It may no doubt be the means of giving men a better knowledge both of their own character, and that of their neighbours. Yet I know not whether these researches may not be come too minute; or whether there be not something ungenerous in prying so closely into the little weaknesses of our nature. The habit of tracing good, or at least indifferent actions, to mean and unworthy motives, is apt to induce doubts as to the very existence of virtue and dignity of character. Marianne, however, the best of his productions, is not only very interesting, but, on the whole, of a good tendency.

BARTHELEMI.

Works of fiction, in general, do not require, or, at least, do not afford, an opportunity of displaying much of that knowledge which is derived from books. We have now, however, to notice one, for the execu tion of which, the most profound and extensive learning was requisite.

An universal desire prevails, to inquire into the private history and character of those men who have risen to any high distinction in public life. No narratives are surer of success than these, even when but indifferently executed. A disposition somewhat similar is felt in regard to those nations which have acted a conspicuous part on the great theatre of the world. And it is felt still more strongly, when these nations are very ancient ; when the picture has contracted that venerable shade which time throws over it. But, among the different nations of antiquity, Greece holds a high pre-eminence, both in arts and in military glory. Hence a natural wish to become acquainted with the manners, the domestic habits, the pleasures, and employments, with which life was diversified, during those ages, to which we are accustomed to look up with such profound veneration. The narratives, however, which have been handed down to us from thence, are almost all on historical and political subjects, with only slight and incidental notices of any other. They afford, therefore, no full

gratification for this natural curiosity. It was probably the consideration of these circumstances which led Barthelemi to the composition of his Travels of Anacharsis. The undertaking was arduous. To collect the information, consisting frequently of mere hints, scattered through an immense multitude of volumes, to form this into a regular and complete system, to weave it into the form of an amusing and interesting narrative, required a rare assemblage of talents. These Barthelemi has certainly shewn himself to be very eminently possessed of. He discovers a perfect knowledge of the subject, united with a warmth and eloquence of style, which are extremely pleasing. We feel ourselves transported, as it were, into classic ground; we become the contemporaries of the heroes and sages who adorned that illustrious period. Perhaps it might have been better had he confined himself more to the delineation of ancient manners. Historical details are not advantageously introduced, since they must want that distinctness which arises from the observance of local and chro