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" Achilles' image stood his spear Grip'd in an armed hand; himself behind Was left unseen, save to the eye of mind: A hand, a foot, a face, a leg, a head, Stood for the whole to be imagined. "
The Prose Works of Charles Lamb - Pāgina 189
per Charles Lamb - 1836
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Poems on Affairs of State from the Time of Oliver Cromwell to the ..., Volum 4

1707 - 492 pāgines
...That for Achilles Image ftood his Spear, Grip'd in an armed Hand, himfelf behind Was left qnfeen, fave to the Eye of Mind, A Hand, a Foot, a Face, a Leg, a Head, Stood for the Whole to be imagined. And from the Walls of ftrong befieged 7V0y, When their brave Hope, bold HeQor, march'd to (Field, Stood...
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Poems on Several Occasions: By Shakespeare

William Shakespeare - 1760 - 266 pāgines
...for Achilles' image flood his fpear, GrSp'd in an armed hand ; himfelf behind "Was left unfeen, fave to the eye of mind : A hand, a foot, a face, a leg, a head, Stood for the whole to be imagined. • ' ' ' " ' * " - \ And from the walls of ftrong befieged Troy, 'Whentheirbravehopc, bold Hector,...
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Poems Written by Mr. William Shakespeare

William Shakespeare - 1775 - 290 pāgines
...That for AMllef image flood his fpear, Grip'd in an armed hand ; himfelf behind Was left unfeen, fave to the eye of mind : A hand, a foot, a face, a leg, a head, Stood for the whole to be imagined. And from the walls of ftronp befieged Troy, When their brave hope, bold HefJor, march'd to field, Stood...
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The Plays and Poems of William Shakspeare: In Ten Volumes ..., Volum 10

William Shakespeare - 1790 - 752 pāgines
...164., a. S> andp. no, oģ 6. MALONE. Grip'd in an armed hand ; himfelf, behind, Was left unfeen, fave to the eye of mind ' ; A hand, a foot, a face, a leg, a head, Stood for the whole to be imagined. And from the walls of ftrong-befieged Troy When their brave hope, bold Heftor, march'd to field, Stood...
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The poems of William Shakspeare, with mr. Capell's History of the ..., Volum 18

William Shakespeare - 1798 - 306 pāgines
...for Achilles' image ftood his fpear, GripM in an armed hand ; himfelf, behind, Was left unfeen, fave to the eye of mind : A hand, a foot, a face, a leg, a head, Stood for the whole to be imagined. And from the walls of ftrong-befieged Troy When their brave hope, bold Heftor, march 'd to field, Stood...
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Poems, with illustrative remarks [ed. by W.C. Oulton]. To which is ..., Volum 1

William Shakespeare - 1804 - 256 pāgines
...was there; Conceit deceitful, so compact, so kind, That for Achilles' image stood his spear, Grip'd in an armed hand ; himself behind Was left unseen,...a leg, a head, Stood for the whole to be imagined. And from the walls of strong besieged Troy, When their brave hope, bold Hector, march'd to field, Stood...
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The Poems of William Shakespeare: Comprehending Venus and Adonis, Tarquin ...

William Shakespeare - 1808 - 224 pāgines
...Achilles' image stood his spear, Grip'd in an armed hand ; himself behind Was left unseen, save in the eye of mind : A hand, a foot, a face, a leg, a head, Stood for the whole to be imagined. And from the walls of strong besieged Troy, When their brave hope, bold Hector, march'd to field],...
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The Works of the English Poets, from Chaucer to Cowper, Volum 5

Alexander Chalmers - 1810 - 746 pāgines
...was there ; Conceit deceitful, so compact, so kind, That for Achilles' image stood his spear, Grip'd in an armed hand ; himself, behind, Was left unseen,...a leg, a head, Stood for the whole to be imagined. And from the walls of strong-besised Troy When their brave hope, bold Hector, march'd to Stood many...
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The Works of the English Poets, from Chaucer to Cowper: Including ..., Volum 5

Samuel Johnson - 1810 - 728 pāgines
...wan there ; Conceit deceitful, so compact, so kind, That for Achilles' image stood his spear, Oip'd in an armed hand ; himself, behind, Was left unseen, save to the eye of mind: A hand, a foot, n face, a leg, a head, Stood for the whole to be imagined. And from the walls of strong-besiged Troy...
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The Reflector: A Quarterly Magazine, on Subjects of Philosophy ..., Volum 2

Leigh Hunt - 1811 - 510 pāgines
...foul, ;i face, a leg, a head, Stood fur the whole to be imagined. This be well calls imaginary teorfc, where the spectator must meet the artist in his conceptions half .way ; and it is peculiar tothe confidence of high genins alone to trust so much to spectators or readers. Lesser artists shew...
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