 Talking is the direct object of the imitation here. But in all the best dramas, and in Shakspeare above all, how obvious it is, that the form of speaking, whether it be in soliloquy or dialogue, is only a medium, and often a highly artificial one, for...  The Prose Works of Charles Lamb - Pàgina 103per Charles Lamb - 1836Visualització completa - Sobre aquest llibre
 | Leigh Hunt - 1811 - 510 pàgines
...obvious it is, that the form of speaking, whether it be in soliloquy or dialogue, is only a medinm, and often a highly artificial one, for putting the...form of composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | 1815 - 558 pàgines
...in all the best dramas, and in Shakspeare above all, how obvious it is, that the form of spealdng, whether it be in soliloquy or dialogue, is only a...which he could otherwise never have arrived at in thai form of composition by any gift short of intuition. We do here as we do with novels written in... | |
 | 1815 - 554 pàgines
...here. But in all the best dramas, and in Shakspeare above all, how obvious it is, that the form of speaking, whether it be in soliloquy or dialogue,...form of composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | 1815 - 628 pàgines
...above all, how obvious it is, that the form of speaking, whether it be in soliloquy or dialogue, \s only a medium, and often a highly artificial one,...form of composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | Charles Lamb - 1818 - 288 pàgines
...here. But in all the best dramas, and in Shakspeare above all, how obvious it is, that the form of speaking, whether it be in soliloquy or dialogue,...form of composition by any gift short of intuition. 8 ON SHAKSFEARE'S TRAGEDIES. We do here as we do with novels written in the epistolary form. How many... | |
 | Charles Lamb - 1835 - 390 pàgines
...here. But in all the best dramas, and in Shakspeare above all, how obvious it is, that the form ot speaking, whether it be in soliloquy or dialogue,...form of composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | Charles Lamb - 1835 - 376 pàgines
...here. But in all the best dramas, and in Shakspeare above all, how obvious it is, that the form ot speaking, whether it be in soliloquy or dialogue,...form of' composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | Charles Lamb - 1835 - 440 pàgines
...here. But in all the best dramas, and in Shakspeare above all, how obvious it is, that the form ol speaking, whether it be in soliloquy or dialogue,...form of composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | Charles Lamb, Thomas Noon Talfourd - 1838 - 486 pàgines
...here. But in all the best dramas, and in Sluikspeare above all. how obvious it is, that the form of speaking, whether it be in soliloquy or dialogue,...form of composition by any gift short of intuition. We do here as we do with novels written in the epistolary form. How many improprieties, perfect solecisms... | |
 | Charles Lamb - 1850 - 444 pàgines
...imitation here. But in all the best dramas, and in Shakspeare above all how obvious it is, that the form of speaking, whether it be in soliloquy or dialogue,...structure and workings of mind in a character, which he qpuld otherwise never have arrived at in that form of composition by any gift short of intuition. We... | |
| |
