sudden wail, not of the poor seamstress alone, but of the whole body of the under-paid and over-worked, fighting out their grim duel with Hunger. It rang through the length and breadth of the land, arousing and quickening a compassion which to this day has not wholly faded out. Such a production it is waste of time to criticise it reaches its mark so surely and swiftly that mere questions of detail and technique seem to be impertinent superfluities. But the Bridge of Sighs, which appeared a few months after in Hood's Magazine, is, in our opinion, superior as a work of art. The Lady's Dream, and the Lay of the Labourer, which belong to the same periodical, have less merit. The Haunted House, with which its pages opened in January, 1844, is a masterpiece of a different order. It is an extraordinarily minute study of disuse and decay,-of the ghostliness and horror that broods and gathers about neglect : With shatter'd panes the grassy court was starr'd; 'O'er all there hung a shadow and a fear; A sense of mystery the spirit daunted, The latter verse recurs throughout the poem with singular effect. The length of the piece places it beyond the limits of quotation ; but the selection given will show sufficiently how simple and sincere,-how strong in the abiding elements of song were the more serious efforts of this gentlest and most patient of poets. AUSTIN DOBSON. THE BRIDGE OF SIGHS. 'Drown'd! drown'd!'-Hamlet. One more Unfortunate, Weary of breath, Take her up tenderly, Look at her garments Touch her not scornfully; Make no deep scrutiny Rash and undutiful : Past all dishonour, Death has left on her Only the beautiful. Still, for all slips of hers, One of Eve's family Wipe those poor lips of hers Oozing so clammily. Loop up her tresses Who was her father? Had she a sister? Had she a brother? Or was there a dearer one Still, and a nearer one Yet, than all other? Alas! for the rarity Oh! it was pitiful! Home she had none. Sisterly, brotherly, Fatherly, motherly Feelings had changed: Love, by harsh evidence, Thrown from its eminence; Even God's providence Seeming estranged. Where the lamps quiver So far in the river, With many a light From window and casement, From garret to basement, She stood, with amazement, Houseless by night. The bleak wind of March Made her tremble and shiver; But not the dark arch, Or the black flowing river: Mad from life's history, In she plunged boldly, Lave in it, drink of it, Take her up tenderly, Ere her limbs frigidly Stiffen too rigidly, Decently, kindly, Smooth, and compose them} And her eyes, close them, Dreadfully staring Thro' muddy impurity, As when with the daring Perishing gloomily, Spurred by contumely, Cold inhumanity, Burning insanity, Into her rest.— Cross her hands humbly Owning her weakness, Her evil behaviour, And leaving, with meekness, Her sins to her Saviour! A PARENTAL ODE TO MY SON, AGED THREE YEARS AND FIVE MONTHS. Thou happy, happy elf! (But stop,-first let me kiss away that tear)— (My love, he's poking peas into his ear!) Untouched by sorrow, and unsoiled by sin- Thou little tricksy Puck! With antic toys so funnily bestuck, Light as the singing bird that wings the air- (Why, Jane, he'll set his pinafore a-fire!) Thou imp of mirth and joy! In Love's dear chain so strong and bright a link, Thou cherub-but of earth; Fit playfellow for Fays, by moonlight pale, (That dog will bite him if he pulls its tail!) Thou human humming-bee extracting honey |