And serve your highness night and day In doing so, you glad my soul, But what say'st thou, my youngest girl, My love (quoth young Cordelia then) And wilt thou show no more, quoth he, Thou art no child of mine; Thy elder sisters' loves are more Than well I can demand, To whom I equally bestow My kingdome and my land, My pompal state, and all my goods, With those thy sisters be maintain'd Thus flattering speeches won renown The third had causeless banishment, Went wand'ring up and down, Until at last in famous France Though poor and bare, yet she was deem'd Where when the king her virtues heard, And this fair lady seen, With full consent of all his court He made his wife and queen. Her father, [old] king Leir, this while She took from him his chiefest means, For whereas twenty men were wont And after scarce to three: Nay, one she thought too much for him; In hope that in her court, good king, Am I rewarded thus, quoth he, Unto my children, and to beg My second child, I know, Full fast he hies then to her court; When he had heard with bitter tears, In what I did let me be made I will return again, quoth he, She will not use me thus, I hope, But in a kinder sort. Then back again to Gonorell But there of that he was deny'd, Thus 'twixt his daughters, for relief And calling to remembrance then He bore the wounds of woe: Which made him rend his milk-white locks, And tresses from his head, And all with blood bestain his cheeks, With age and honour spread: To hills and woods, and watry founts, Till hills and woods, and senseless things, Did seem to sigh and groan. Even thus possest with discontents, He passed o'er to France, In hopes from fair Cordelia there To find some gentler chance: Most virtuous dame! which when she heard Of this her father's grief, As duty bound, she quickly sent Him comfort and relief: And by a train of noble peers, In brave and gallant sort, She gave in charge he should be brought, To Aganippus' court; Whose royal king, with noble mind, So freely gave consent, To muster up his knights at arms, To fame and courage bent. *This ballad, which by no means deserves a place in any edition of Shakspeare, is evidently a most servile pursuit,-not, indeed, of our author's play, which the writer does not appear to have read, but of Holinshed's Chronicle, where, as in Geoffrey of Monmouth, the King of France is called Aganippus. I suppose, however, that the performance and celebrity of the play might have set the ballad-maker at work, and furnished him with the circumstance of Lear's madness, of which there is no hint either in the historian or the old play. The omission of any other striking incident may be fairly imputed to his want of either genius or information. All he had to do was to spin out a sort of narrative in a sort of verse, to be sung about the streets, and make advantage of the publick curiosity. I much doubt whether any common ballad can be produced anterior to a play upon the same subject, unless in the case of some very recent event. RITSON. It is not easy to guess at Mr. Ritson's meaning in this strange note. The ballad-maker, it seems, servilely copied Holinshed's Chronicle, and yet introduced a circumstance not mentioned by the Historian, but furnished by Shakspeare's play, which it is said he does not appear to have read. The rest of his observations are equally confused. BOSWELL. |