With Mortal Voice: The Creation of Paradise LostUniversity Press of Kentucky, 15 de jul. 2014 - 208 pàgines More often than not, critics have looked upon Milton's great epic not as a literary work but rather as a theological tract or a display of Renaissance learning. In this book John Shawcross seeks to redress that critical imbalance by examining the poem for its literary values. In doing so he reveals the scope and depth of Milton's poetic craftsmanship in his control of such elements as structure, myth, style, and language; and he offers new approaches to reading Paradise Lost as a literary masterpiece rather than a relic of religious history. |
Continguts
1 | |
12 | |
3 The Thesis the Theme | 21 |
4The Hero | 33 |
5 Structural Patterns | 42 |
6 Numerological Relationships | 56 |
7 Sources as Meaning Structure | 68 |
8 The Genre | 84 |
9 The Style | 100 |
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achieve action Adam and Eve Adam's Aeneid allegoric allusion antihero archetypal artistic balance becomes begetting biblical Book IX Book VIII Books XI burning lake Christ climax of Book comic mode concept contrast created critics David Emma death defeat of Satan discussion disobedience divine drama dream Earth elements end of Book eternal Eve's evil example exist exodus faith Fall fallen angels Father genre God's providence Heaven Hell hero heroic hope Iliad imagery implies inspiration John John Milton language literary literature man's mankind ment metaphoric meaning Michael Milton mortal Moses moves myth of return narrative Nazirite numerological obedience Paradise Lost passage poem poet present proem quest Raphael reader reference seen serpent significance Son's Spirit Steppenwolf structure style suggests symbol T.S. Eliot thee theme thesis things thir throughout the poem tion tragic truth Univ verse War in Heaven word XI and XII