Tragic Instance: The Sequence of Shakespeare's TragediesUniversity of Delaware Press, 1999 - 228 pàgines "Tragic Instance follows Shakespeare's progress through his tragedies. The book accepts Kenneth Muir's prescription, "There is no such thing as Shakespearian Tragedy: there are only Shakespearian tragedies." Accordingly, each of the tragedies, from Titus Andronicus to Coriolanus, is studied in order of composition. Richard III and Richard II are included because each is described as "tragedy" on the title page. No larger unity is seen. The play is everything that is the case."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
Des de l'interior del llibre
Resultats 1 - 5 de 41.
Pàgina
... Richard III and Richard II are included because each is described as " tragedy " on the title page . No larger unity is seen . The play is eve- rything that is the case . In approaching the play , the author describes the leading ...
... Richard III and Richard II are included because each is described as " tragedy " on the title page . No larger unity is seen . The play is eve- rything that is the case . In approaching the play , the author describes the leading ...
Pàgina 7
... Richard III : Player and King 225 29 42 3. Romeo and Juliet : The Sonnet World of Verona 61 4. The Tragedy of Richard II 73 5. Communal Identity and the Rituals of Julius Caesar 80 6. " To say ' one ' " : An Essay on Hamlet 92 7. Hamlet ...
... Richard III : Player and King 225 29 42 3. Romeo and Juliet : The Sonnet World of Verona 61 4. The Tragedy of Richard II 73 5. Communal Identity and the Rituals of Julius Caesar 80 6. " To say ' one ' " : An Essay on Hamlet 92 7. Hamlet ...
Pàgina 9
... Richard III : Player and King " is from my The Shake- spearean Metaphor , as is " Romeo and Juliet : The Sonnet - World of Verona . " " Communal Identity and the Rituals of Julius Caesar " first appeared in Dalhousie Review ; " To say ...
... Richard III : Player and King " is from my The Shake- spearean Metaphor , as is " Romeo and Juliet : The Sonnet - World of Verona . " " Communal Identity and the Rituals of Julius Caesar " first appeared in Dalhousie Review ; " To say ...
Pàgina 17
... Richard III , " show " in Antony and Cleopatra , " leech " in Timon of Athens . In the first two Roman plays , names and families are everywhere . In Titus Andronicus there are chil- dren in abundance , over whom fathers have absolute ...
... Richard III , " show " in Antony and Cleopatra , " leech " in Timon of Athens . In the first two Roman plays , names and families are everywhere . In Titus Andronicus there are chil- dren in abundance , over whom fathers have absolute ...
Pàgina 18
... ( Richard III , 5.5.29-31 ) . For Montague and Capulet , it is a rite of mourning with reconciliation , as each in turn vows to erect a golden statue of the other's child . In death as in life , these people are pillars of the community ...
... ( Richard III , 5.5.29-31 ) . For Montague and Capulet , it is a rite of mourning with reconciliation , as each in turn vows to erect a golden statue of the other's child . In death as in life , these people are pillars of the community ...
Continguts
29 | |
42 | |
Romeo and Juliet The Sonnet World of Verona | 61 |
The Tragedy of Richard II | 73 |
Communal Identity and the Rituals of Julius Caesar | 80 |
To say one An Essay on Hamlet | 92 |
Hamlet Nationhood and Identity | 106 |
Class as Motivation in Othello | 129 |
Macbeth The Sexual Underplot | 150 |
Timon of Athens | 164 |
Antony and Cleopatra RolePlayer Actress ActorManager | 172 |
Sexual Imagery in Coriolanus | 186 |
Class Politics in Coriolanus | 200 |
Notes | 212 |
Index | 226 |
Lears System | 137 |
Altres edicions - Mostra-ho tot
Tragic Instance: The Sequence of Shakespeare's Tragedies Ralph Berry Visualització de fragments - 1999 |
Frases i termes més freqüents
action actor Albany Antony and Cleopatra Antony's appears audience Aufidius Bolingbroke Bradley Brutus Buckingham Cambridge Cassio Chiron Claudius comedy comes Cominius Cordelia Coriolanus Coriolanus's Dane Danish death Denmark dialogue drama Elizabethan England father final Fortinbras France gentleman Hamlet hath Henry hint Horatio Iago identity Julius Caesar killing King Lear Lady Macbeth Laertes later Lavinia Lear's London lord meaning Menenius ment Mercutio metaphor Methuen mind mode mother needs Octavius opening Othello passage patriarchy patricians Peter Brook play's plebeians Poland political Polonius Prince Queen quell question rhyme Richard Richard III ritual role Rome Romeo and Juliet Rosencrantz and Guildenstern Saturninus says scene sense sexual Shake Shakespeare Shakespearean Tragedy social society soliloquy sonnet speak speech stage direction suggest symbolic thee thou thought Timon of Athens tion Titus Andronicus tragic triumph University Press Volumnia Wittenberg word
Passatges populars
Pàgina 152 - Was the hope drunk Wherein you dress'd yourself? hath it slept since? And wakes it now, to look so green and pale At what it did so freely? From this time Such I account thy love. Art thou afeard To be the same in thine own act and valour 40 As thou art in desire? Wouldst thou have that Which thou esteem'st the ornament of life, And live a coward in thine own esteem, Letting ' I dare not ' wait upon ' I would,' Like the poor cat i
Pàgina 150 - For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
Pàgina 95 - That for some vicious mole of nature in them, As, in their birth,— wherein they are not guilty, Since nature cannot choose his origin,— By the o'ergrowth of some complexion, Oft breaking down the pales and forts of reason...
Pàgina 84 - Why should that name be sounded more than yours ? Write them together, yours is as fair a name ; Sound them, it doth become the mouth as well ; Weigh them, it is as heavy ; conjure with them, Brutus will start a spirit as soon as Caesar.
Pàgina 54 - The lights burn blue. It is now dead midnight. Cold fearful drops stand on my trembling flesh. What do I fear? myself? There's none else by, Richard loves Richard; that is, I am I.
Pàgina 195 - O mother, mother! What have you done? Behold, the heavens do ope, The gods look down, and this unnatural scene They laugh at. O my mother, mother! O! You have won a happy victory to Rome; But, for your son — believe it, O, believe it — Most dangerously you have with him prevailed, If not most mortal to him.
Pàgina 48 - Slave, I have set my life upon a cast, And I will stand the hazard of the die : I think, there be six Richmonds in the field; Five have I slain to-day, instead of him : — A horse!
Pàgina 133 - He takes her by the palm; ay, well said, whisper; with as little a web as this will I ensnare as great a fly as Cassio. Ay, smile upon her, do; I will gyve thee in thine own courtship.
Pàgina 102 - Why, man, they did make love to this employment; They are not near my conscience ; their defeat Does by their own insinuation grow : Tis dangerous, when the baser nature comes Between the pass and fell incensed points Of mighty opposites.