Copyright and Other Fairy Tales: Hans Christian Andersen and the Commodification of CreativityHelle Porsdam Edward Elgar Publishing, 1 de gen. 2006 - 172 pàgines The present state of copyright law and the way in which it threatens the remix of culture and creativity is a shared concern of the contributors to this unique book. Whether or not to remain within the underlying regime of intellectual property law, and w |
Continguts
1 | |
how creativity lives | 15 |
2 On real nightingales and mechanical reproductions | 23 |
3 Bleak House or Great Expectations? The literary author as a stakeholder in nineteenthcentury international copyright politics | 40 |
4 Adaptations with integrity | 61 |
5 What might Hans Christian Andersen say about copyright today? | 83 |
6 Hans Christian Andersen and the protection of traditional cultural expressions | 108 |
7 Should the logic of open source be applied to digital cultural goods? An exploratory essay | 129 |
the market and temporary protection a better alternative for artists and the public domain | 147 |
Index | 165 |
Altres edicions - Mostra-ho tot
Copyright and Other Fairy Tales: Hans Christian Andersen and the ... Helle Porsdam Visualització de fragments - 2006 |
Frases i termes més freqüents
Aboriginal American artists Australian authenticity authors authorship autonomy of expression Berne Convention Blakeney Charles Dickens Christian Andersen commodification concept context copy Copyright Act copyright infringement copyright protection copyright system court created creators Crone Frank Danish DeCSS defence destruction Disney distortion distribution economic Edward Elgar English example film folklore Frank and Frank freedom of expression Grokster Hans Christian Andersen Harold Bloom industry integrity right Intellectual Property Rights Internet Lawrence Lessig Lessig literary literature Little Mermaid London Macmillan Mataatua media and entertainment Michael Blakeney modifications moral rights nightingale nineteenth century open source approach open source software original ownership Patents piracy postmodern primary printing produce Protection of Folklore protection of traditional public domain publishers reader regime remix reproduction Rights of Indigenous Smiers stories Teilmann tion Towse trade traditional cultural expression traditional knowledge translations University Press usufruct Vaidhyanathan visual artworks writers
Passatges populars
Pàgina 58 - The utility of this power will scarcely be questioned. The copyright of authors has been solemnly adjudged, in Great Britain, to be a right of common law. The right to useful inventions seems with equal reason to belong to the inventors. The public good fully coincides in both cases with the claims of individuals.
Pàgina 55 - Act, except as below provided, shall be printed from type set within the limits of the United States...
Pàgina 49 - It is nothing that of all men living I am the greatest loser by it. It is nothing that I have a claim to speak and be heard. The wonder is that a breathing man can be found with temerity enough to suggest to the Americans the possibility of their having done wrong.
Pàgina 116 - Indigenous communities, peoples and nations are those which, having a historical continuity with pre-invasion and pre-colonial societies that developed on their territories, consider themselves distinct from other sectors of the societies now prevailing in those territories, or parts of them.
Pàgina 49 - I would beg leave to whisper in your ear two words •, International Copyright. I use them in no sordid sense, believe me, and those who know me best, best know that. For myself, I would rather that my children, coming after me, trudged in the mud, and knew by the general feeling of society that their father was beloved, and had been of some use, than I would have them ride in their carriages, and know by their banker's books that he was rich.
Pàgina 47 - And be it further enacted, that nothing in this act shall be construed to extend to prohibit the importation or vending, printing or publishing of any map, chart, book, musical composition, print or engraving, written, composed or made by any person not being a citizen of the United States, nor resident within the jurisdiction thereof.
Pàgina 114 - This includes the right to maintain, protect and develop the past, present and future manifestations of their cultures, such as archaeological and historical sites, artifacts, designs, ceremonies, technologies and visual and performing arts and literature, as well as the right to the restitution of cultural, intellectual, religious and spiritual property taken without their free and informed consent or in violation of their...
Pàgina 49 - Gentlemen, as I have no secrets from you, in the spirit of confidence you have engendered between us, and as I have made a kind of compact with myself that I never will, while I remain in America, omit an opportunity of referring to a topic in which I and all others of my class on both sides of the water are equally interested — equally interested, there is no difference between us, I would beg leave to whisper in your ear two words : International Copyright.
Pàgina 26 - Even the most perfect reproduction of a work of art is lacking in one element: its presence in time and space, its unique existence at the place where it happens to be. This unique existence of the work of art determined the history to which it was subject throughout the time of its existence. This includes the changes which it may have suffered in physical condition over the years as well as the various changes in its ownership.