Medieval Architecture: Its Origins and Development, with Lists of Monuments and Bibliographies, Volum 2

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Yale University Press, 1912
 

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Passatges populars

Pàgina 136 - Rex tremendae majestatis, Qui salvandos salvas gratis, Salva me, fons pietatis. Recordare, Jesu pie, Quod sum causa tuae viae: Ne me perdas ilia die.
Pàgina 136 - Dies irae, dies illa, Solvet saeclum in favilla ; Teste David cum Sibylla. Quantus tremor est futurus, Quando judex est venturus, Cuncta stricte discussurus ! Tuba mirum spargens sonum Per sepulchra regionum, Coget omnes ante thronum. Mors stupebit et natura, Cum resurget Creatura, Judicanti responsura. Liber scriptus proferetur, In quo totum continetur, Unde mundus judicetur.
Pàgina 51 - I' Architecture Fran^aise. He has therein given a profound and exhaustive illustration of Gothic. $He has shown that this architecture consists primarily in a peculiar structural system, — a system which was a gradual evolution out of the arched Roman through the Romanesque, — and that its distinctive characteristic is that the whole scheme of the building is determined by, and its whole strength is made to reside in, a finely organized and frankly confessed framework rather than in walls.
Pàgina 432 - Rapport à M. le Ministre de l'intérieur sur les monuments, les bibliothèques, les archives et les musées des départements de l'Oise, de l'Aisne, de la Marne, du Nord et du Pas-de-Calais , par ML Vitet.
Pàgina 252 - Unde, cum ex dilectione decoris domus Dei aliquando multicolor, gemmarum speciositas ab exintrinsecis me curis devocaret, sanctarum etiam diversitatem virtutum, de materialibus ad immaterialia transferendo, honesta meditatio insistere...
Pàgina 433 - Monuments religieux de l'architecture romane et de transition dans la région picarde (anciens diocèses d'Amiens et de Boulogne), in Mémoires de la Société des antiquaires de Picardie, 1895.
Pàgina 189 - ... the mark of the collar ? If, again, the artisan worked long enough at any church, he naturally became attached to it, and it to him. The York Fabric Rolls show us worn-out head-masons or •Mr. Kingsley Porter (ii, 189) quotes an excellent example: "It is amusing to read in Gervase [of Canterbury] what infinite tact William of Sens was forced to employ to persuade the reluctant monks that it was necessary to destroy the charred fragments of the glorious choir of Conrad.
Pàgina 157 - His praemissis, unus eorum princeps statuitur, cujus imperio in humilitate et silentio trahunt quadrigas suas humeris suis, et praesentant oblationem suam non sine disciplina et lacrimis.
Pàgina 323 - ... lecture by itself. Infinite in their variety, they are all under the same inspiration. Laon has its perfectly proportioned plan and its great scheme of seven clustering spires; Soissons has its wonderful south transept which Porter calls " one of the most ethereal of all twelfth century designs and the highest expression of that fairy-like, Saracenic phase of Gothic art that had first come into being at Noyon.
Pàgina 426 - Northern France from Belgium and the English Channel to the Loire excluding Paris and its Environs.

Informació bibliogràfica