Perspectives on Wole SoyinkaUniv. Press of Mississippi |
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Pàgina xii
... language , style , communication , and artistic vision which are calculated to alienate or perplex readers and audiences , thereby often subverting , so it is thought , Soyinka's progressive , revolutionary intentions . One aspect of ...
... language , style , communication , and artistic vision which are calculated to alienate or perplex readers and audiences , thereby often subverting , so it is thought , Soyinka's progressive , revolutionary intentions . One aspect of ...
Pàgina xiv
... language of the hallucinatory scenes in the narrative is , by itself alone , a virtuosic masterpiece of evocative prose in the manner in which it conflates the literal and the phantasmic , the visceral and the ideographic in ways that ...
... language of the hallucinatory scenes in the narrative is , by itself alone , a virtuosic masterpiece of evocative prose in the manner in which it conflates the literal and the phantasmic , the visceral and the ideographic in ways that ...
Pàgina xvii
... language verse includes poets like Niyi Osundare , Odia Ofeimun , Okinba Launko , Funso Aiyejina , Harry Garuba , Esi- aba Irobi and others . It has been the achievement of this group of Nigerian poets to demonstrate that inventiveness ...
... language verse includes poets like Niyi Osundare , Odia Ofeimun , Okinba Launko , Funso Aiyejina , Harry Garuba , Esi- aba Irobi and others . It has been the achievement of this group of Nigerian poets to demonstrate that inventiveness ...
Pàgina xix
... language , none seems more qualified than Achebe for the praise which Matthew Arnold , in his famous poem , " Dover Beach " , reserved for Sophocles alone among the ancients : he saw life steadily , and he saw it whole . Soyinka once ...
... language , none seems more qualified than Achebe for the praise which Matthew Arnold , in his famous poem , " Dover Beach " , reserved for Sophocles alone among the ancients : he saw life steadily , and he saw it whole . Soyinka once ...
Pàgina xxii
... Language Factor in Modern Nigerian Literature " in Yemi Ogunbiyi , ed . , Perspectives on Nigerian Literature , 1700 to the Present , Vol 1. Lagos : Guardian Books : 68-73 . 8. Chinweizu , Onwuchekwa Jemie , 1hechukwu Madubuike , Toward ...
... Language Factor in Modern Nigerian Literature " in Yemi Ogunbiyi , ed . , Perspectives on Nigerian Literature , 1700 to the Present , Vol 1. Lagos : Guardian Books : 68-73 . 8. Chinweizu , Onwuchekwa Jemie , 1hechukwu Madubuike , Toward ...
Continguts
3 | |
Poetics and the Mythic Imagination | 27 |
The Foxs Dance | 41 |
Being the Will and the Semantics of Death | 62 |
Blood and Wine | 77 |
Soyinka and His Radical Critics | 91 |
Wole Soyinka and the Tropes of Disalienation | 104 |
Wole Soyinka and Heine Muller | 128 |
Myth Literature and the African World | 157 |
Wole Soyinka and the Living Dramatist | 172 |
Wole Soyinka and the Atunda Ideal | 187 |
The Space of Transformations | 201 |
Index | 237 |
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Frases i termes més freqüents
abyss aesthetic African literature African World African writers ambiguity Amos Tutuola articulated artistic Atunda audience Bacchae character Chinua Achebe colonial complexity conception consciousness contemporary context creative Dance death Dionysos discourse drama Ebla Elesin Elesin Oba Eman Eman's embodiment English essence Euripides European expression Fagunwa Forests Fourth Stage gods Heiner Muller human Ibadan Idanre ideological Ifada imagination individual Jeyifo King's Horseman language liminality literary London Madmen and Specialists meaning metaphor metaphysical modern African myth mythic mythopoesis nation Negritude Ngugi Ngugi wa Thiong'o Nigerian Niyi Osundare novel Obatala Ogun Ogun's perspective play's poem poet poetry political reality relationship ritual suicide role sense Shakespeare significance social society Soyinka's critical Soyinka's essays Soyinka's plays Soyinka's writings spiritual Strong Breed structure suggest symbolic texts theatre theoretical theory tion Tiresias tradition tragedy tragic transition trope Tutuola University vision Wole Soyinka women Yoruba culture Yoruba language Yoruba mythology
Passatges populars
Pàgina 228 - As substitute, it is not simply added to the positivity of a presence, it produces no relief, its place is assigned in the structure by the mark of an emptiness.
Pàgina 81 - He was oppressed, and he was afflicted, yet he opened not his mouth: he Is brought as a lamb to the slaughter, and as a sheep before her shearers is dumb, so he openeth not his mouth. He was taken from prison and from Judgment: and who shall declare his generation? for he was cut off out of the land of the living: for the transgression of my people was he stricken.
Pàgina 61 - And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pitch and moment With this regard their currents turn awry And lose the name of action.
Pàgina 104 - The average published writer in the first few years of the post-colonial era was the most celebrated skin of inconsequence to obscure the true flesh of the African dilemma.
Pàgina 73 - Ifa oracular wisdoms that a rupture is often simply one aspect of the destructive-creative unity, that offences even against nature may be part of the exaction by deeper nature from humanity of acts which alone can open up the deeper springs of man and bring about a constant rejuvenation of the human spirit. Nature in turn benefits by such broken taboos, just as the cosmos does by demands made upon its will by man's cosmic affronts.
Pàgina 78 - ... live in. We did it for them. It was all for their own common good. What did it benefit me whether the man lived or died. But did you see them?
Pàgina 55 - Deep. Silent but deep. Oh my friend, beware the pity of those that have no tongue for they have been proclaimed sole guardians of the Word. They have slept beyond the portals of secrets. They have pierced the guard of eternity and unearthed the Word, a golden nugget on the tongue.
Pàgina 103 - Thus, it may be seen that if imperialist domination has the vital need to practice cultural oppression, national liberation is necessarily an act of culture.
Pàgina 175 - This is the last Our feet shall touch together We thought the tune Obeyed us to the soul But the drums are newly shaped And stiff arms strain On stubborn crooks, so Delve with the left foot For ill-luck; with the left Again for ill-luck; once more With the left alone, for disaster Is the only certainty we know.