Discovering Shakespeare's MeaningPalgrave Macmillan UK, 11 d’abr. 1988 - 234 pàgines Preface - Acknowledgements - Verse and Prose - Imagery and Spectacle - Shakespeare's Expositions - Plays within Plays - Parallel Actions - The Treatment of Character - The Use of the Soliloquy - Art and Artifice - Conclusion: Discovering Shakespeare's Meaning - Index |
Des de l'interior del llibre
Resultats 1 - 3 de 41.
Pàgina 2
... whole generates . Where a modern audience is conditioned to respond to the changing rhythms of background music , the Elizabethan theatre - goer was attuned to the aural effects produced by alternations between prose and verse , and by ...
... whole generates . Where a modern audience is conditioned to respond to the changing rhythms of background music , the Elizabethan theatre - goer was attuned to the aural effects produced by alternations between prose and verse , and by ...
Pàgina 84
... whole . Each of the thirty - seven plays begins in a different way - and no formula can be adduced that will apply to every composition . Nevertheless , these expositions do illustrate some lines of enquiry that the interested reader ...
... whole . Each of the thirty - seven plays begins in a different way - and no formula can be adduced that will apply to every composition . Nevertheless , these expositions do illustrate some lines of enquiry that the interested reader ...
Pàgina 115
... whole from the interaction between the parts of the design . The use of parallel action is not exclusive to Shakespeare . It is one of the principal methods of plot construction in Renaissance drama as a whole , with three plots ...
... whole from the interaction between the parts of the design . The use of parallel action is not exclusive to Shakespeare . It is one of the principal methods of plot construction in Renaissance drama as a whole , with three plots ...
Continguts
Imagery and Spectacle | 31 |
Shakespeares Expositions | 61 |
Plays within Plays | 86 |
Copyright | |
No s’hi han mostrat 5 seccions
Frases i termes més freqüents
action actors allows Antony appears attention awareness becomes begins blank verse Brutus central characters Claudius close communicate complex concerned conduct considerable contrast contributes course daughter death designed distance drama dramatis personae dramatist effect employed establish example exchange experience express eyes fall father figure function Hamlet hand hath highly human imagery implied important individual initial involved kind King language Lear Leontes light lines lord Macbeth meaning Measure merely mind murder nature night once opening passage pattern performance play world plot position presented Prince principal reader reference relation relationship responses revenge Richard role scene seen sense serves Shakespeare's Shakespearian significance situation soliloquy speak speaker spectacle spectator speech stage structure suggest takes theatre audience thou throughout turns understanding universe vengeance watching Whereas whole witnessed
Referències a aquest llibre
Eight Tragedies of Shakespeare: A Marxist Study Victor Gordon Kiernan Visualització de fragments - 1996 |