Discovering Shakespeare's MeaningPalgrave Macmillan UK, 11 d’abr. 1988 - 234 pàgines Preface - Acknowledgements - Verse and Prose - Imagery and Spectacle - Shakespeare's Expositions - Plays within Plays - Parallel Actions - The Treatment of Character - The Use of the Soliloquy - Art and Artifice - Conclusion: Discovering Shakespeare's Meaning - Index |
Des de l'interior del llibre
Resultats 1 - 3 de 64.
Pàgina 35
... relation to the ' good things of Day ' ( 52 ) . The imagery here thus communicates a range of ideas to the spectator in a highly economical way . It informs him , or her , that it is now dusk , that the following scene takes place in ...
... relation to the ' good things of Day ' ( 52 ) . The imagery here thus communicates a range of ideas to the spectator in a highly economical way . It informs him , or her , that it is now dusk , that the following scene takes place in ...
Pàgina 42
... relationship that exists in Shakespearian drama between stage spectacle and figurative language . Whereas the reader is at liberty to devote time and attention to the word - by - word exploration of a specific passage while the play ...
... relationship that exists in Shakespearian drama between stage spectacle and figurative language . Whereas the reader is at liberty to devote time and attention to the word - by - word exploration of a specific passage while the play ...
Pàgina 111
... relation to himself as he stood in relation to the play of the courtiers . He urges the spectators not to confine him on his island by a ' spell ' ( as he could have confined Alonso ) now he has ' pardon'd the deceiver ' ( 7-8 ) , or ...
... relation to himself as he stood in relation to the play of the courtiers . He urges the spectators not to confine him on his island by a ' spell ' ( as he could have confined Alonso ) now he has ' pardon'd the deceiver ' ( 7-8 ) , or ...
Continguts
Imagery and Spectacle | 31 |
Shakespeares Expositions | 61 |
Plays within Plays | 86 |
Copyright | |
No s’hi han mostrat 5 seccions
Frases i termes més freqüents
action actors allows Antony appears attention awareness becomes begins blank verse Brutus central characters Claudius close communicate complex concerned conduct considerable contrast contributes course daughter death designed distance drama dramatis personae dramatist effect employed establish example exchange experience express eyes fall father figure function Hamlet hand hath highly human imagery implied important individual initial involved kind King language Lear Leontes light lines lord Macbeth meaning Measure merely mind murder nature night once opening passage pattern performance play world plot position presented Prince principal reader reference relation relationship responses revenge Richard role scene seen sense serves Shakespeare's Shakespearian significance situation soliloquy speak speaker spectacle spectator speech stage structure suggest takes theatre audience thou throughout turns understanding universe vengeance watching Whereas whole witnessed
Referències a aquest llibre
Eight Tragedies of Shakespeare: A Marxist Study Victor Gordon Kiernan Visualització de fragments - 1996 |