Talking RadioM.E. Sharpe |
Continguts
| 3 | |
Television Takes Over the Living Room | 10 |
When the Two Worked as One | 17 |
The Substance of Sound 3235 38 | 23 |
The Way It Was Radio | 32 |
A Winning Formula Is Found | 38 |
Going to the Top 40 | 55 |
New Legends of the Ol Airwaves | 64 |
A White Mans Medium | 115 |
AMs Fall from Grace | 129 |
FMs Rise to Power | 135 |
Polluting the Air | 144 |
Into the New Millennium | 151 |
Impressions Count | 153 |
Noncommercial Radio | 161 |
Tubes and Wires in a Box | 170 |
And Now the News | 70 |
Words Without Music | 77 |
As a Public Trustee | 87 |
Those Tuneout Factors | 94 |
The Times and Bands Are AChangin | 101 |
A Medium for Everyone | 103 |
Behind Every Set | 109 |
Stations in the Fold | 178 |
The Future of Radio | 186 |
A Play for Broadcast | 195 |
Further Reading | 209 |
Index | 211 |
Altres edicions - Mostra-ho tot
Talking Radio: An Oral History of American Radio in the Television Age: An ... Michael C. Keith Previsualització limitada - 2020 |
Talking Radio: An Oral History of American Radio in the Television Age Michael C. Keith Visualització de fragments - 2000 |
Talking Radio: An Oral History of American Radio in the Television Age Michael C. Keith Visualització de fragments - 2000 |
Frases i termes més freqüents
advertising American audience audio became become began believe broadcast called changed cities companies considered continued course created culture decade deejays developed director early effect existed fact fifties format forty Frank give happen hear host hour hundred important increased industry interest kind late later less listeners living look major markets medium mind move needs never offered once operated personalities play political popular present producer programming public radio radio stations ratings receivers records result Robert seemed serve sixties sound stereo talent talk radio television things tion took top-forty tuned voice women writer York
Passatges populars
Pàgina 203 - Could you on this fair mountain leave to feed, And batten on this moor? Ha! have you eyes? You cannot call it love; for, at your age, The hey-day in the blood is tame, it's humble, And waits upon the judgment; and what judgment Would stoop from this to this?
Pàgina 203 - Look here, upon this picture, and on this, The counterfeit presentment of two brothers. See, what a grace was seated on this brow: Hyperion's curls; the front of Jove himselt; An eye like Mars, to threaten and command;' A station like the herald Mercury New-lighted on a heaven-kissing hill; A combination, and a form, indeed, Where every god did seem to set his seal, To give the world assurance of a man : This was your husband.
Pàgina 203 - See, what a grace was seated on this brow; Hyperion's curls; the front of Jove himself; An eye like Mars, to threaten and command; A station like the herald Mercury New-lighted on a heaven-kissing hill; A combination and a form indeed , Where every god did seem to set his seal, To give the world assurance of a man : Thia was your husband.
Pàgina 197 - And the tree-toad is a chef-d'oeuvre for the highest, And the running blackberry would adorn the parlors of heaven, And the narrowest hinge in my hand puts to scorn all machinery, And the cow crunching with depress'd head surpasses any statue, And a mouse is miracle enough to stagger sex till ions of infidels. I find I incorporate gneiss, coal, long-threaded moss, fruits, grains...
Pàgina 201 - Come, come, and sit you down ; you shall not budge ; You go not till I set you up a glass Where you may see the inmost part of you.
Pàgina 201 - Now, mother, what's the matter? Hamlet, thou hast thy father much offended. Mother, you have my father much offended. Come, come, you answer with an idle tongue. Go, go, you question with a wicked tongue. Why, how now, Hamlet!
Pàgina 208 - That we'll see about. Meanwhile some homage to the High Commissioner Who first assigned these frequencies to earth, Who marked these airlanes out. He is the same Who fixed the stars in place, Who set afire the sun and froze the moon and dug the furrows wherein oceans flow. He holds the formula for genesis and death. His hand rests on a dial bigger than infinity. This microphone is not an ordinary instrument, For it looks out on vistas wide indeed: My voice commingles now with northern lights and...
Pàgina 207 - ... As should be radiated in the skies. Do you grant radio is here to stay? Then grant this further: That the mystic ethers were established well before the first word passed between two men: It's only latterly we've seen that speech is buoyant in these waves; A puff or two of years, that's all it is. There may this very moment be, As close to us as one discoverer away, Whole firmaments of stuffs awaiting comprehension. That we'll see about. Meanwhile some homage to the High Commissioner Who first...
Pàgina 30 - Over the radio verse has no visual presence to compete with. Only the ear is engaged and the ear is already half poet. It believes at once: creates and believes. It is the eye which is the realist. It is the eye which must fit everything together, must see everything before and behind. It is the eye and not the ear which refuses to believe in the lovely girlhood of the middleaged soprano who sings Isolde...
Referències a aquest llibre
Radio Production Worktext: Studio and Equipment David E. Reese,Lynne S. Gross,Brian Gross Previsualització limitada - 2006 |