Shakespeare, Theory, and Performance

Portada
James C. Bulman
Psychology Press, 1996 - 218 pàgines
Shakespeare, Theory and Performance is a groundbreaking collection of seminal essays which apply the abstract theory of Shakespearean criticism to the practicalities of performance. Bringing together the key names from both realms, the collection reflects a wide range of sources and influences, from traditional literary, performance and historical criticism to modern cultural theory. Together they raise questions about the place of performance criticism in modern and often competing debates of cultural materialism, new historicism, feminism and deconstruction. An exciting and fascinating volume, it will be important reading for students and scholars of literary and theatre studies alike.
 

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Continguts

SHAKESPEARE AND PERFORMANCE
1
DESDEMONA
29
GENDER AND PERFORMANCE
46
LOOKING FOR MR SHAKESPEARE AFTER THE
68
INTERROGATING
92
ACTING SHAKESPEARE IN POSTCOLONIAL SPACE
113
SHAKESPEARE WITHOUT HIS LANGUAGE
133
SCHOLARSHIP
149
PROSPEROS BOOKS AND
187
Notes on contributors
210
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