The Globe Theatre Project: Shakespeare and AuthenticityEdwin Mellen Press, 2006 - 283 pàgines This book analyzes performances at the reconstructed Globe Theatre in London between 1996 and 2004 by focusing on the new Globe's most defining characteristic: authenticity. The book addresses the question of why authenticity has become so crucial in late 20th and early 21st century Britain and what productions of the authentic Shakespeare say about contemporary identities. |
Des de l'interior del llibre
Resultats 1 - 3 de 7.
Pàgina 19
... Prince involved in ' transactions between himself and his moral sense ' which ' are the effusions of his solitary musings ... or rather , they are the silent meditations with which his bosom is bursting , reduced to words for the sake ...
... Prince involved in ' transactions between himself and his moral sense ' which ' are the effusions of his solitary musings ... or rather , they are the silent meditations with which his bosom is bursting , reduced to words for the sake ...
Pàgina 22
... prince , who , according to Stanley Wells , demonstrated an ' inner rebellion against the Establishment by which he was surrounded ' : this rebellion was a result of his ' making his own discoveries about life , and often enough he ...
... prince , who , according to Stanley Wells , demonstrated an ' inner rebellion against the Establishment by which he was surrounded ' : this rebellion was a result of his ' making his own discoveries about life , and often enough he ...
Pàgina 44
... prince ... It thrived for a time , it passed quickly , and its like has never existed since . ' Most astoundingly , but in an anticipation of materialist arguments for theatre as a collaborative enterprise , he concludes that it ' must ...
... prince ... It thrived for a time , it passed quickly , and its like has never existed since . ' Most astoundingly , but in an anticipation of materialist arguments for theatre as a collaborative enterprise , he concludes that it ' must ...
Continguts
Two productions unalike authentically | 11 |
Disciplining the Fool for the Complete Performance | 26 |
Authentic Audiences | 40 |
Copyright | |
No s’hi han mostrat 20 seccions
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academic actors African Amintor Andrew Gurr anti-authenticity Antony and Cleopatra arguably argues audience authentic brief authentic productions authentic Shakespeare Bellafront Benedict Nightingale binary boom boom Caliban Cambridge carnival celebrated chapter character characterised colonial construction contemporary context critics cultural Cymbeline dance describes discourse Drama early modern Evadne experience explore female focused football further gender Globe production Globe Season Globe-to-Globe groundlings Gurr's Hippolyto Honest Whore hybridity identity ideological inauthentic interview Jaq Bessell Kathakali King Lear laughter London Loomba Macbeth Maid's Tragedy male Mark Rylance masculinity Matheo McLuskie Melantius Michael notion offered original practices perhaps political popular post-colonial Post-Colonial Studies Reader present production of Henry production's Prospero reconstruction representation represented Research Bulletin response reveal reviewers Richard role Romeu e Julieta Routledge scene sexuality Shakespeare Performances Shakespeare's Globe Shakespeare's plays Shakespeare's universalism Shylock space specific stage stereotype subjectivity suggests syncretism Tempest Tempestad textual Theatre Record theatrical tragedy Twelfth Night uMabatha writes
Referències a aquest llibre
The Cambridge Companion to Shakespeare and Popular Culture Robert Shaughnessy Previsualització limitada - 2007 |