The Globe Theatre Project: Shakespeare and AuthenticityEdwin Mellen Press, 2006 - 283 pàgines This book analyzes performances at the reconstructed Globe Theatre in London between 1996 and 2004 by focusing on the new Globe's most defining characteristic: authenticity. The book addresses the question of why authenticity has become so crucial in late 20th and early 21st century Britain and what productions of the authentic Shakespeare say about contemporary identities. |
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Pàgina 235
... . Patrick Tucker describes these methods in his book , Secrets of Acting Shakespeare : The Original Approach ( London : Routledge , 2001 ) . 12 celebrated especially in the production of Peter Oswald's adaptation 235 Brave, bold theatre.
... . Patrick Tucker describes these methods in his book , Secrets of Acting Shakespeare : The Original Approach ( London : Routledge , 2001 ) . 12 celebrated especially in the production of Peter Oswald's adaptation 235 Brave, bold theatre.
Pàgina 275
... Secrets of Acting Shakespeare : The Original Approach ( London : Routledge , 2001 ) Vaughan , Alden T. , and Virginia Mason Vaughan , Shakespeare's Caliban : A Cultural History ( Cambridge : CUP , 1991 ) Voss , Philip , ' Menenius in ...
... Secrets of Acting Shakespeare : The Original Approach ( London : Routledge , 2001 ) Vaughan , Alden T. , and Virginia Mason Vaughan , Shakespeare's Caliban : A Cultural History ( Cambridge : CUP , 1991 ) Voss , Philip , ' Menenius in ...
Continguts
Two productions unalike authentically | 11 |
Disciplining the Fool for the Complete Performance | 26 |
Authentic Audiences | 40 |
Copyright | |
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academic actors African Amintor Andrew Gurr anti-authenticity Antony and Cleopatra arguably argues audience authentic brief authentic productions authentic Shakespeare Bellafront Benedict Nightingale binary boom boom Caliban Cambridge carnival celebrated chapter character characterised colonial construction contemporary context critics cultural Cymbeline dance describes discourse Drama early modern Evadne experience explore female focused football further gender Globe production Globe Season Globe-to-Globe groundlings Gurr's Hippolyto Honest Whore hybridity identity ideological inauthentic interview Jaq Bessell Kathakali King Lear laughter London Loomba Macbeth Maid's Tragedy male Mark Rylance masculinity Matheo McLuskie Melantius Michael notion offered original practices perhaps political popular post-colonial Post-Colonial Studies Reader present production of Henry production's Prospero reconstruction representation represented Research Bulletin response reveal reviewers Richard role Romeu e Julieta Routledge scene sexuality Shakespeare Performances Shakespeare's Globe Shakespeare's plays Shakespeare's universalism Shylock space specific stage stereotype subjectivity suggests syncretism Tempest Tempestad textual Theatre Record theatrical tragedy Twelfth Night uMabatha writes
Referències a aquest llibre
The Cambridge Companion to Shakespeare and Popular Culture Robert Shaughnessy Previsualització limitada - 2007 |