The Story of Art - 16th EditionPhaidon Press, 1995 - 688 pàgines Introduction: On Art and Artists 1 Strange Beginnings: Prehistoric and Primitive Peoples; Ancient America 2 Art for Eternity: Egypt, Mesopotamia, Crete 3 The Great Awakening: Greece, Seventh to Fifth Century BC 4 The Realm of Beauty: Greece and the Greek World, Fourth Century BC to First Century AD 5 World Conquerors: Romans, Buddhists, Jews and Christians, First to Fourth Century AD 6 A Parting of Ways: Rome and Byzantium, Fifth to Thirteenth Century 7 Looking Eastwards: Islam, China, Second to Thirteenth Century 8 Western Art in the Melting Pot: Europe, Sixth to Eleventh Century 9 The Church Militant: The Twelfth Century 10 The Church Triumphant: The Thirteenth Century 11 Courtiers and Burghers: The Fourteenth Century 12 The Conquest of Reality: The Early Fifteenth Century 13 Tradition and Innovation I: The Later Fifteenth Century in Italy 14 Tradition and Innovation II: The Fifteenth Century in the North 15 Harmony Attained: Tuscany and Rome, Early Sixteenth Century 16 Light and Colour: Venice and Northern Italy, Early Sixteenth Century 17 The New Learning Spreads: Germany and the Netherlands, Early Sixteenth Century 18 A Crisis of Art: Europe, Later Sixteenth Century 19 Vision and Visions: Catholic Europe, First Half of the Seventeenth Century 20 The Mirror of Nature: Holland, Seventeenth Century 21 Power and Glory I: Italy, Later Seventeenth and Eighteenth Centuries 22 Power and Glory II: France, Germany and Austria, Late Seventeenth and Early Eighteenth Centuries 23 The Age of Reason: England and France, Eighteenth Century 24 The Break in Tradition: England, America and France, Late Eighteenth and Early Nineteenth Centuries 25 Permanent Revolution: The Nineteenth Century 26 In Search of New Standards: The Late Nineteenth Century 27 Experimental Art: The First Half of the Twentieth Century 28 A Story without End: The Triumph of Modernism Another Turning of the Tide The Changing Past A Note on Art Books Chronological Charts Maps List of Illustrations by Location Index and Glossary Acknowledgments. |
Des de l'interior del llibre
Resultats 1 - 3 de 68.
Pàgina 61
... human eye we think of it as seen from the front . Accordingly , a full - face eye was planted into the side view of ... human beings looked like that . They merely followed a rule which allowed them to include everything in the human ...
... human eye we think of it as seen from the front . Accordingly , a full - face eye was planted into the side view of ... human beings looked like that . They merely followed a rule which allowed them to include everything in the human ...
Pàgina 105
... human beings are copies or variants of statues which were created in this period , the middle of the fourth century ... human types by this means , but would this method ever lead to the representation of real individual human beings ...
... human beings are copies or variants of statues which were created in this period , the middle of the fourth century ... human types by this means , but would this method ever lead to the representation of real individual human beings ...
Pàgina 305
... human body in motion , with all its muscles and sinews . Like Leonardo , he was not content with learning the laws of anatomy secondhand , as it were , from antique sculpture . He made his own research into human anatomy , dissected ...
... human body in motion , with all its muscles and sinews . Like Leonardo , he was not content with learning the laws of anatomy secondhand , as it were , from antique sculpture . He made his own research into human anatomy , dissected ...
Continguts
On art and artists | 15 |
STRANGE BEGINNINGS | 39 |
2 | 55 |
Copyright | |
No s’hi han mostrat 26 seccions
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Frases i termes més freqüents
achieved admired Ages Albrecht Dürer ancient architects architecture artists Baroque beauty body Brunelleschi building called Caravaggio Cathedral Cézanne Christ church classical Claude Lorrain colour critics Cubism decoration Detail of figure Diego Velázquez discoveries Donatello Dürer edition effect Egyptian Europe Eyck eyes famous feel Florence Florentine forms Fra Angelico fresco Giotto Gogh Gothic Greek art hand harmony history of art human idea illustrations images imagine imitation impression Impressionists invention Italian Italy Jan van Eyck King landscape learned Leonardo light London look Masaccio masters medieval methods Michelangelo modern movement Museum nature Oil on canvas Oil on wood painter painting Paris perhaps period Phaidon Pheidias picture portraits Praxiteles primitive problems Raphael Rembrandt Renaissance represent Roman Rome Rubens saints scene sculptor seems seen shows Simone Martini simple St John statues story style taste temple things Tintoretto Titian tomb tradition Velázquez Virgin wanted whole
Referències a aquest llibre
The Creative Vision: A Longitudinal Study of Problem Finding in Art Jacob W. Getzels,Mihaly Csikszentmihalyi Visualització de fragments - 1976 |
After the End of Art: Contemporary Art and the Pale of History Arthur Coleman Danto Previsualització no disponible - 1997 |