The Story of Art - 16th EditionPhaidon Press, 1995 - 688 pàgines Introduction: On Art and Artists 1 Strange Beginnings: Prehistoric and Primitive Peoples; Ancient America 2 Art for Eternity: Egypt, Mesopotamia, Crete 3 The Great Awakening: Greece, Seventh to Fifth Century BC 4 The Realm of Beauty: Greece and the Greek World, Fourth Century BC to First Century AD 5 World Conquerors: Romans, Buddhists, Jews and Christians, First to Fourth Century AD 6 A Parting of Ways: Rome and Byzantium, Fifth to Thirteenth Century 7 Looking Eastwards: Islam, China, Second to Thirteenth Century 8 Western Art in the Melting Pot: Europe, Sixth to Eleventh Century 9 The Church Militant: The Twelfth Century 10 The Church Triumphant: The Thirteenth Century 11 Courtiers and Burghers: The Fourteenth Century 12 The Conquest of Reality: The Early Fifteenth Century 13 Tradition and Innovation I: The Later Fifteenth Century in Italy 14 Tradition and Innovation II: The Fifteenth Century in the North 15 Harmony Attained: Tuscany and Rome, Early Sixteenth Century 16 Light and Colour: Venice and Northern Italy, Early Sixteenth Century 17 The New Learning Spreads: Germany and the Netherlands, Early Sixteenth Century 18 A Crisis of Art: Europe, Later Sixteenth Century 19 Vision and Visions: Catholic Europe, First Half of the Seventeenth Century 20 The Mirror of Nature: Holland, Seventeenth Century 21 Power and Glory I: Italy, Later Seventeenth and Eighteenth Centuries 22 Power and Glory II: France, Germany and Austria, Late Seventeenth and Early Eighteenth Centuries 23 The Age of Reason: England and France, Eighteenth Century 24 The Break in Tradition: England, America and France, Late Eighteenth and Early Nineteenth Centuries 25 Permanent Revolution: The Nineteenth Century 26 In Search of New Standards: The Late Nineteenth Century 27 Experimental Art: The First Half of the Twentieth Century 28 A Story without End: The Triumph of Modernism Another Turning of the Tide The Changing Past A Note on Art Books Chronological Charts Maps List of Illustrations by Location Index and Glossary Acknowledgments. |
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Pàgina 185
... became much more . It was the discovery that the method of vaulting a church by means of crosswise arches could be developed much more consistently and to much greater purpose than the Norman architects had dreamt of . If it was true ...
... became much more . It was the discovery that the method of vaulting a church by means of crosswise arches could be developed much more consistently and to much greater purpose than the Norman architects had dreamt of . If it was true ...
Pàgina 356
... became an independent master in 1488. Like Grünewald , Bosch showed that the traditions and achievements of painting which had been developed to represent reality most convincingly could be turned round , as it were , to give us an ...
... became an independent master in 1488. Like Grünewald , Bosch showed that the traditions and achievements of painting which had been developed to represent reality most convincingly could be turned round , as it were , to give us an ...
Pàgina 418
... became content to turn out the same kind of picture over and over again . It is true that in doing so they sometimes carried their trade to a pitch of perfection which commands our admiration . These specialists were real specialists ...
... became content to turn out the same kind of picture over and over again . It is true that in doing so they sometimes carried their trade to a pitch of perfection which commands our admiration . These specialists were real specialists ...
Continguts
On art and artists | 15 |
STRANGE BEGINNINGS | 39 |
2 | 55 |
Copyright | |
No s’hi han mostrat 26 seccions
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Frases i termes més freqüents
achieved admired Ages Albrecht Dürer ancient architects architecture artists Baroque beauty body Brunelleschi building called Caravaggio Cathedral Cézanne Christ church classical Claude Lorrain colour critics Cubism decoration Detail of figure Diego Velázquez discoveries Donatello Dürer edition effect Egyptian Europe Eyck eyes famous feel Florence Florentine forms Fra Angelico fresco Giotto Gogh Gothic Greek art hand harmony history of art human idea illustrations images imagine imitation impression Impressionists invention Italian Italy Jan van Eyck King landscape learned Leonardo light London look Masaccio masters medieval methods Michelangelo modern movement Museum nature Oil on canvas Oil on wood painter painting Paris perhaps period Phaidon Pheidias picture portraits Praxiteles primitive problems Raphael Rembrandt Renaissance represent Roman Rome Rubens saints scene sculptor seems seen shows Simone Martini simple St John statues story style taste temple things Tintoretto Titian tomb tradition Velázquez Virgin wanted whole
Referències a aquest llibre
The Creative Vision: A Longitudinal Study of Problem Finding in Art Jacob W. Getzels,Mihaly Csikszentmihalyi Visualització de fragments - 1976 |
After the End of Art: Contemporary Art and the Pale of History Arthur Coleman Danto Previsualització no disponible - 1997 |