Be quiet, or-More light, more light, for fhame!- [Exit. This holy fhrine, the gentle fine is this—— My lips, two blufhing pilgrims, ready stand, To smooth that rough touch with a tender kifs. Jul. Good pilgrim, you do wrong your hand too much, Which mannerly devotion fhews in this; For faints have hands that pilgrims' hands do touch, And palm to palm is holy palmer's kifs. Rom. Have not faints lips, and holy palmers too? ful. Ay, pilgrim, lips that they muft ufe in prayer. Rom. O then, dear faint, let lips do what hands do; They pray, grant thou, left faith turn to defpair. Jul. Saints do not move, though grant for prayers' fake. Rom. Then move not, while my prayers effect I take. Thus from my lips by yours, my fin is purg'd. [Kiffing her. Jul. Then have my lips? the fin that they have took. Rom. Sin from my lips? O trefpafs fweetly urg'd! Give me my fin again. Jul. You kifs by the book. Nurfe. Madam, your mother craves a word with you. Rom. What is her mother? Nurfe. Marry, bachelor, Her mother is the lady of the houfe, And a good lady, and a wife, and virtuous : I nurs'd her daughter, that you talk'd withal; C I tell I tell you he that can lay hold of her, Rom. Is fhe a Capulet? O dear account! my life is my foe's debt. you More torches here!-Come on, then let's to bed. I'll to my reft. Jul. What's he, that now is going out of door? Jul. What's he that follows there, that would not Jul. Go, afk his name [dance? if he be married, My grave is like to be my wedding bed. Nurfe. His name is Romeo, and a Montague; The only fon of your great enemy. Jul. My only love fprung from my only hate! Of one I danc'd withal. [One calls within, JULIET, Come, let's away; the ftrangers all are gone. [Exeunt. Enter Enter CHORUS. Now old defire doth on his death-bed lie, And young affection gapes to be his heir; That fair, for which love groan'd fore, and would die, Alike bewitched by the charm of looks; And he fleals love's fweet bait from fearful hooks Being held a foe, he may not have access To breathe fuch vows as lovers ufe to fwear; But paffion lends them power, time means to meet, [Exit Chorus ACT II. SCENE I. The fireet. Enter ROMEO alone. Romeo. CAN I go forward, when my heart is here? Enter BENVOLIO, with MERCUTIO. Ben. Romeo! my coufin Romeo ! Mer. He is wife; And, on my life, hath stol'n him home to bed. Ben. He ran this way, and leap'd this orchard wall: Call, good Mercutio. Mer. Nay, I'll conjure too. Why, Romeo! humours! madman! paffion! lover! Speak but one rhyme, and I am fatisfied; Ben. An if he hear thee, thou wilt anger him. Mer. This cannot anger him: 'twould anger him To raise a spirit in his mistress' circle Of fome strange nature, letting it there stand Ben. Come, he hath hid himself those trees, Mer. If love be blind, love cannot hit the mark. Now will he fit under a medlar tree, And with his miltfefs were that kind of fruit, This field-bed is too cold for me to fleep: Ben. Go, then; for 'tis in vain To feek him here, that means not to be found. SCENE II. CAPULET'S garden. Enter ROMEO. [Exeunt. Rom. He jefts at scars, that never felt a wound.But, foft! what light through yonder window breaks? It is the east, and Juliet is the fun! [JULIET appears above, at a window. And none but fools do wear it; caft it off.. O, that the knew fhe were !. love: She speaks, yet she says nothing; What of that? I am too bold, 'tis not to me it speaks: That I might touch that cheek? Jul |