SHAKESPEARE ufes not only the iambic, but the trochaic measure. As for example, the trochaic dimeter brachycatalectic, commonly called the ithyphallic, confifting of three trochees. Bacche Bacchě | Bacche whére haft thou been | sífster. Macb. The trochaic dimeter catalectic; a fort of verse Aristophanes was fond of, when he ridi "Why, then let grievous, ghaftly, gaping wounds "Untwine the fifters three: come, Atropos, I fay." In King Henry V. A& III. Pift."Fortune is Bardolp's foe, and frowns on him; "For he hath ftoln a pax, and hanged must a be; Thus 'tis manifeft at firft fight that it fhould be printed. -muft a be-this mode of expreffion is used now in many parts of England. And Phaer thus renders Virgil. VI, 590. Proh Jupiter! ibit Hic, ait, et noftris illuferit advena regnis ? "O God (quoth she) and shall a go "Indede ? and fhall a floute me thus within my king "doms, fo? B. Johnson. Poetafter, A&t III. Sc. II. "Hor. "Death! will a leve me." These alterations and hints may at prefent be fufficient. cul'd Sóftly fwéet in | Lydian | méafure Macb. Sóon he foóth'd his | foul to | pleasure. Dryd. The trochaic tetrameter catalectic of fix feet, and clofing with a trochee and a femiped, what the Greeks call καλαλείς. Ariftoph. Τηδε, τῇ πόλει πρόσ, εἶναι ταῦτα, μὲν τοῦ τῆς θε, ες, This dancing measure is very proper to the character of Polonius, a droll humourous old courtier; and the mixture of the trochaic has no bad effect. The verfes are thus to be ordered. In Hamlet, Act II. As As are companions noted and most known So far. R. My Lord, thou would difbonour him. Nor is Shakespeare without inftances of the anapestic verse; which verfes confift of anapests, fpondees, dactyls; and fometimes is intermixed the pes proceleufmaticus; as ὁ μὲν οἱ χομενος | φυγάς ὅ δὲ [ νεκυς ῶν. Eurip. Oreft. The anapeftic monometer acatalectic, of two feet. Sóftly fwéet in | Lydiän | méafure The trochaic tetrameter catalectic of fix f and clofing with a trochee and a femiped, w the Greeks call κατακλείς. Ariftoph. Τηδε, τῇ πόλει πρόσ, εἶναι ταῦτα, μὲν τοῦ τῆς θες This dancing measure is very proper to character of Polonius, a droll humourous courtier; and the mixture of the trochaic no bad effect. The verfes are thus to be dered. In Hamlet, Act II. an exhibited before his pitch of barba- to |