Speech for the Stage
Psychology Press, 1992 - 254 pàgines
From its original publication, thousands of actors have used this classic text to develop and refine their voice and speech. Evangeline Machlin includes warm-up routines for the voice but initially focuses on the importance of listening. She also discusses such important elements as relaxation, phonetics, articulation, resonance, pitch, rate of speech and stress. In addition, there are chapters on dialects, on reading aloud, sight reading, auditioning and performance.
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accent achieve action actor aloud American arms articulation audience become begin body breath British Caed called carry Chapter clear close consonants continue Correction described develop dialect direct dropped effect exercises exhalation eyes fault feel final give GROUP hand head hear heard inflection inhale John keep kind lines lips Listen look lower meaning mouth move movements nasal natural occur once pause performance phonetic pitch play poem position possible practice production projection pronunciation reading recording relaxation released Repeat resonance Rest role scene selection sense sentence sequence Shakespeare silence singing slowly sound speak speech speed spelling spoken stage standing stress syllable symbol technique theatre tone tongue transcribed transcription unit vocal voice vowel wide words
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