The "Jew" in Cinema: From The Golem to Don't Touch My HolocaustIndiana University Press, 7 de gen. 2005 - 374 pàgines From cinema's beginnings, the film image of the "Jew" has closely followed the fortunes and misfortunes of Jews. Analyzing more than 70 films made in the Soviet Union, Poland, Hungary, Czechoslovakia and the Czech Republic, East and West Germany, France, Italy, the United States, and Israel from 1920 to the 1990s, noted historian Omer Bartov argues that depictions of the "Jew" in film have been fed by, or have reacted to, certain stereotypical depictions of Jews arising from age-old prejudices. These images, in turn, both reflected public attitudes and helped to shape them. He points to Mel Gibson's film The Passion of the Christ as one of the most recent examples of the phenomenon. In trenchant discussions of individual films, Bartov develops four basic cinematic representations of the "Jew": as perpetrator (especially in antisemitic films), as victim (especially in films about the Holocaust), as hero (especially in films about the state of Israel), and as anti-hero (especially in films about the Arab-Israeli conflict). |
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The "Jew" in Cinema: From The Golem to Don't Touch My Holocaust Omer Bartov Previsualització limitada - 2005 |
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Referències a aquest llibre
Jewishness: Expression, Identity, and Representation Simon J. Bronner Visualització de fragments - 2008 |