| 1763 - 556 pągines
...the former are more complcat : but the latter has that fort of unity and fimplicity, which refults from its nature. — The Fairy Queen then, as a Gothic...its method, as well as the other characters of its compofition, from the eftablifhcd modes and ideas of Chivalry. It was ufual, we are told, in the days... | |
| Richard Hurd (bp. of Worcester.) - 1765 - 362 pągines
...the latter has that fort of nnity and fimplicity, which refults from its nature. THE Faery £>ueen then, as a Gothic poem, derives its METHOD, as well as the other charafters of its competition, from the eftablifhed modes and ideas of chivalry. IT was ufual, in the... | |
| Richard Hurd - 1776 - 354 pągines
...former are more complete : piete : but the latter has that fort of unity and fimplicity, which refults from its nature. THE Fairy Queen then, as a Gothic...its METHOD, as well as the other characters of its competition, from the eftablifhed modes and ideas of Chivalry. IT was ufual, in the days of knight.crrantry,... | |
| Richard Hurd - 1776 - 358 pągines
...but the latter has that fort of unity and fimplicity, which refults from its nature. THE Fairy Qticen then, as a Gothic poem, derives its METHOD, as well as the other characters of its compofition, from the eftablifaed modes and ideas of Chivalry. IT was u.fual, in the days of knighterrantry,... | |
| Richard Hurd - 1788 - 368 pągines
...complete : 368 LETTERS ON . plete : but the latter has that fort of unity and fimplicity, which refults from its nature. THE Fairy Queen then, as a Gothic...its METHOD, as well as the other characters of its compofition, from the eftablifhed modes and ideas of Chivalry. IT was ufual, in the days of knighterrantry,... | |
| Edmund Spenser - 1805 - 452 pągines
...that fort of unity and limplicity, which refults from its nature. The FAERIE QUEENE then, as a Gothick poem, derives its method, as well as the other characters of its compofition, from the eftablilhed modes and ideas of chivalry. It was ufual, in the days of knight-errantry,... | |
| Edmund Spenser - 1805 - 448 pągines
...fort of unity and fimplicity, which refults from its nature. ' 'I The FAERIE QUEENE then, as a Gothick poem, derives its method, as well as the other characters of its compofition, from the eftablifhed modes and ideas of chivalry. It was ufual, in the days of knight-errantry,... | |
| Edmund Spenser - 1807 - 446 pągines
...sort of unity and simplicity, which results from its nature. The FAERIE QtfEENE then, as a Gothick poem, derives its method, as well as the other characters of its composition, from the estahlished modes and ideas of chivalry. claim the privilege of heing sent on any adventure, to which... | |
| Richard Hurd - 1811 - 420 pągines
...when scrutinized by the laws on which each is projected. The same observation holds of the two LETTER sorts of poetry. Judge of the Fairy Queen by the classic...holding of any great feast, for knights to appear l>efore the prince, who presided at it, and claim the privilege of being sent on any adventure to which... | |
| 1834 - 918 pągines
...The Faerie Queen, then, is to be considered as a Gothic, not a classical poem. As a Gothic poem, it derives its method, as well as the other characters...from the established modes and ideas of chivalry. No w, in the days of knighterrantry, at great annual feasts, " throngs of knights and harons bold"... | |
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