Imatges de pÓgina
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9. THE DEAD ASS.....

10. THE SWORD

11. MARIA

Mrs. Barbauld, 24 21. THE MORALIZER

......

Sterne, 25
....Ib. 27 22. THE FAITHFUL FRIEND........ Ib

........ Ib. 29 23. PAIRING TIME ANTICIPATED.... Ib. 53

Merrick, 33 24. THE NEEDLESS ALARM.......... Ib. 54

13. THE YOUTH AND THE PHILOSO- 25. THE MODERN RAKE'S PROGRESS,
PHER..................... Whitehead, 35

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2. THE PRESENT CONDITION OF MAN

VINDICATED.

14. THE ORIGIN OF SUPERSTITION

AND TYRANNY .................. Ib.

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Page Chap.

Page

....Holland, 109 4. ON THE IMMORTALITY OF THE
SOUL............ ...... Spectator, 116
5. ON THE BEING OF A GOD

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S. ON CRITICISM .......................................... Sterne, 168 12. ARCHBISHOP
4. ON NEGROES........... ....... Ib. 169
5. RIVERS AND SIR HARRY.. False Del. 170
6. SIR JOHN MELVIL AND STERLING,
Clandestine Marriage, 172

7. BELCOUR AND STOCKWELL, W. Ind. 176

8. LORD EUSTACE AND FRAMPTON,

School for Rakes, 178
9. DUKE AND LORD ......... Shakspeare, 181

10 DUKE AND JAQUES ............. Ib. 183 19. HOTSPUR READING A LETTER.. 207

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2. LIBERTY AND SLAVERY.......... Ib. 210

3. CORPORAL TRIM'S ELOQUENCE, Ib. 211

4. THE MAN OF ROSS ............ Pope, 212

5. THE COUNTRY CLERGYMAN, Gold. 213 10. ELEGY WRITTEN IN A COUNTRY

S. HYMN TO ADVERSITY........ Gray, 222
9. ODE ON A DISTANT PROSPECT OF

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• Collins, 259

1. WARRINGTON ACADEMY, Mrs. Barb. 230 25. THE APOTHECARY. ... Shakspeare, 253

9. ODE TO CONTENT................ 1b. 232 26. ODE TO EVENING

13. ~~~~~~~ FEAR................ Collins, 234 27. ~~~~~~ SPRING...... Mrs. Barbauld, 261
TRUTH.............. Mason, 236 23. DOMESTIC LOVE AND HAPPINESS
FANCY.............. Warton, 237

Shakespeare, 318

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MOTHER'S MARRIAGE 1b. 332

Ib. 335

12. HENRY IV AND PRINCE HENRY, Ib. 309 25. SOLILOQUY OF THE KING IN HAM-

13. HENRY VI, WARWICK, AND CARDI-

LET

...... Ib. 336

............ Ib. 312 26. ODE ON ST. CECILIA'S DAY ... Pope, 337
27. ALEXANDER'S FEAST ...... Dryden, 341
28. ON THE DEATH OF MRS. THROCK-

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ESSAY ON ELOCUTION.

-Id affert ratio, docent literæ, confirmat consuetudo legendi et loquendi.~Cicero

MUCH declamation has been employed, to convince the world of a very plain truth, that to be able to speak well is an ornamental and useful accomplishment. Without the laboured panegyrics of ancient or modern orators, the importance of a good elocution is sufficiently obvious. Every one will acknowledge it to be of some consequence, that what a man has hourly occasion to do, should be done well. Every private company, and almost every public assembly, afford opportunities of remarking the difference between a just and graceful, and a faulty and unnatural elocution; and there are few persons, who do not daily experience the advantages of the former, and the inconveniences of the latter. The great difficulty is, not to prove that it is a desirable thing to be able to read and speak with propriety, but to point out a practicable and easy method, by which this accomplishment may be acquired.

Follow Nature, is certainly the fundamental law of Oratory, without regard to which, all other rules will only produce affected declamation, not just elocution. And some accurate observers, judging, perhaps, from a few unlucky specimens of modern eloquence, have concluded, that this is the only law which ought to be prescribed; that all artificial rules are useless; and that good sense, and a cultivated taste, are the only requisites to form a good public speaker. But it is true in the art of speaking, as well as in the art of living, that general precepts are of little use, till they are unfolded, and applied to particular cases. To discover and correct those tones and habits of speaking, which are gross deviations from Nature, and, as far as they prevail, must destroy

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