Sketches of the Principal Picture-galleries in England, with a Criticism on "Marriage A-la-mode.".Taylor and Hessey, 1824 - 195 pàgines |
Des de l'interior del llibre
Resultats 1 - 5 de 15.
Pàgina 5
... mean , cold , meagre , petty appearance after coming out of a fine Collection of Pictures . We want the size of life , the marble flesh , the rich tones of nature , the diviner expanded expression . Good prints are no doubt , better ...
... mean , cold , meagre , petty appearance after coming out of a fine Collection of Pictures . We want the size of life , the marble flesh , the rich tones of nature , the diviner expanded expression . Good prints are no doubt , better ...
Pàgina 30
... means of this " so potent art ! " Look at the Cuyp next the door ( No. 3 ) . It is woven of etherial hues . A soft mist is on it , a veil of subtle air . The tender green of the vallies beyond the gleaming lake , the purple light of the ...
... means of this " so potent art ! " Look at the Cuyp next the door ( No. 3 ) . It is woven of etherial hues . A soft mist is on it , a veil of subtle air . The tender green of the vallies beyond the gleaming lake , the purple light of the ...
Pàgina 57
... mean - they require no in- terpreter : but the French painters see nature with organs and with minds peculiarly their own . One must be born in France to understand their painting , or their poetry . Their productions in art are either ...
... mean - they require no in- terpreter : but the French painters see nature with organs and with minds peculiarly their own . One must be born in France to understand their painting , or their poetry . Their productions in art are either ...
Pàgina 58
... the names of the husbands of the latter . is a little out of place : yet these are the people who laugh at our blunders . We do not mean This * to extend the above sweeping censure to Claude , 58 THE MARQUIS OF STAFFORD'S GALLERY .
... the names of the husbands of the latter . is a little out of place : yet these are the people who laugh at our blunders . We do not mean This * to extend the above sweeping censure to Claude , 58 THE MARQUIS OF STAFFORD'S GALLERY .
Pàgina 81
... with the almost total absence of shade from his pic- tures , made the task more difficult ; and , indeed , the prominence and effect he produces in this G respect , without any of the usual means , are THE PICTURES AT WINDSOR CASTLE . 81.
... with the almost total absence of shade from his pic- tures , made the task more difficult ; and , indeed , the prominence and effect he produces in this G respect , without any of the usual means , are THE PICTURES AT WINDSOR CASTLE . 81.
Altres edicions - Mostra-ho tot
Sketches of the Principal Picture-galleries in England, with a Criticism on ... William Hazlitt Visualització completa - 1824 |
Sketches of the Principal Picture-galleries in England, with a Criticism on ... William Hazlitt Visualització completa - 1824 |
Sketches of the Principal Picture-galleries in England, with a Criticism on ... William Hazlitt Visualització completa - 1824 |
Frases i termes més freqüents
admirable Andrea del Sarto Angerstein's artist attitude beauty Blenheim Burleigh canvas Caracci Cartoons character Christ Claude colour composition contrast copy Correggio Cuyp delicacy delicate delightful divine Domenichino drapery dream effect elegance Elgin Marbles Elymas excellence execution expression exquisite face feeling female figure finest flesh Francis Bourgeois Gallery genius Giorgione give grace green Guido hand head Hogarth Holbein Lady landscape light living look Lord marble MARRIAGE A-LA-MODE mind nature ness never noble Nymph object painted painter Paul Veronese pencil perhaps portrait Poussin racter Radcliffe Library Raphael Rembrandt rich round Rubens scene seems seen shadows shew Sir Joshua Sir Joshua Reynolds soft soul specimens spirit Stourhead striking style sweetness taste thing thought tion Titian tone trees truth ture turn Vandyke Vathek Venus walls whole WILLIAM HAZLITT Windsor WINDSOR CASTLE young youthful
Passatges populars
Pàgina 166 - Of living sapphire, once his native seat : And fast by, hanging in a golden chain, This pendent world, in bigness as a star Of smallest magnitude, close by the moon.
Pàgina 148 - Autumn fills their beaks with corn, Filch'd from the careless Amalthea's horn ; And how the woods berries and worms provide Without their pains, when earth has nought beside To answer their small wants. To view the graceful deer come tripping by, Then stop, and gaze, then turn, they know not why, Like bashful younkers in society. To mark the structure of a plant or tree, And all fair things of earth, how fair they be.
Pàgina 161 - Sacred City:" might not our Oxford be called so too ? There is an air about it resonant of joy and hope : it speaks with a thousand tongues to the heart : it waves its mighty shadow over the imagination : it stands in lowly sublimity on the " hill of ages," and points with prophetic fingers to the sky: it greets the eager gaze from afar " with glistening spires and pinnacles adorned...
Pàgina 148 - Sometimes outstretcht, in very idleness, Nought doing, saying little, thinking less, To view the leaves, thin dancers upon air, Go eddying round...
Pàgina 151 - ... often observable in the case of religious enthusiasts, there is a slenderness of constitutional stamina, which renders the flesh no match for the spirit. His bending, flexible form appears to take no strong hold of things, does not grapple with the world about him, but slides from it like a river 'And in its liquid texture mortal wound Receives no more than can the fluid air...
Pàgina 148 - Nought doing, saying little, thinking less, To view the leaves, thin dancers upon air, Go eddying round and small birds how they fare...
Pàgina 181 - She said; then raging to Sir Plume repairs, And bids her beau demand the precious hairs: (Sir Plume of amber snuff-box justly vain, And the nice conduct of a clouded cane...
Pàgina 4 - Caracci, and look at nature with their eyes; we live in time past, and seem identified with the permanent forms of things. The business of the world at large, and even its pleasures, appear like a vanity and an impertinence. What signify the hubbub, the shifting scenery, the fantoccini figures, the folly, the idle fashions without, when compared with the solitude, the silence, the speaking looks, the unfading forms within? Here is the mind's true home. The contemplation of truth and beauty is the...
Pàgina 162 - ... light as with the lustre of setting suns ; and a dream and a glory hover round its head, as the spirits of former times, a throng of intellectual shapes, are seen retreating or advancing to the eye of memory : its streets are paved with the names of learning that can never wear out : its green quadrangles breathe the silence of thought, conscious of the weight of yearnings innumerable after the past, of loftiest aspirations for the future...
Pàgina 183 - The exquisite delicacy of the painting is only surpassed by the felicity and subtlety of the conception. Nothing can be more striking than the contrast between the extreme softness of her person and the hardened indifference of her character.